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VICE Loves Magnum: There's More to Stuart Franklin Than the Most Famous Photo of the 20th Century

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CHINA. Beijing. Tiananmen Square. "The Tank Man" stopping the column of T59 tanks. 4th June, 1989.

Magnum is probably the most famous photo agency in the world. Even if you haven't heard of it, chances are you're familiar with its images, be they Robert Capa's coverage of the Spanish Civil War or Martin Parr's very British holiday-scapes. Unlike most agencies, Magnum's members are selected by the other photographers on the agency, so becoming a member is a pretty gruelling process. As part of an ongoing partnership with Magnum, we will be profiling some of their photographers over the coming weeks.

One-time Magnum president Stuart Franklin is probably best known for his photo of an average looking man with some shopping defying a line of tanks in Tiananmen Square. Yet, as I discovered when I spoke to him, that photo was not the instant sensation people might expect it to be. He talked me through art school's effect on his work, the difference between approach and style, what "news photography" really means and getting caught up in the Heysel Stadium disaster.

VICE: Unlike some of the people we have spoken to in this series, you were classically trained in the arts.
Stuart Franklin:
I studied drawing, painting and photography on a degree course at what used to be called the West Surrey College of Art and Design.

Do you think that influenced the way you work?
In terms of photography, it gave me a better sense of lighting and urged me to not be afraid of anything – formats or technical hurdles. On the post-production side, I was able to go straight into setting up my own darkroom in London, processing my films and functioning as an editorial photographer, which was quite useful.


ENGLAND. Manchester. Moss Side Estate. 1986.

I feel that maybe your styles and subjects have been more varied compared to those of most other photographers. Do you attribute that at all to your lack of concern about formats and techniques?
I believe there are two things to consider: One is style and the other is approach. I think the approach I take to photography is quite consistent across the board. It’s a considered, gentle approach that I have to working in almost any context. The tools that I pack in my bag to take on different assignments or projects vary enormously. They become a localised and temporary style, but I think that underneath everything there is the thumping bassline of the work, which is about my approach attempting to be quite graceful, to be quiet. The tools are whatever I pick up on the day – it could be a pencil, it could be a camera.

You became well known after covering the famine in the Sahel in the mid-1980s, directly after you studied art. How did you transition into photojournalism?
In the beginning of the 1980s, I did a lot of work in Mexico City, supported by the Telegraph Magazine. I also did lots of work in the north of England looking at the decline of the manufacturing industry, as well as similar stuff in France, the Pas-de-Calais and areas around Metz. Those were my early bits of work. I joined Sigma in 1980 and over a period of five years they mainly sent me to cover breaking news. The first major story I covered was the 1983 bombing of the US barracks in Beirut, where I think 285 US soldiers were killed. [it was 241; a further 58 French servicemen were killed in a separate blast nearby two minutes later. Six civilians and the two bombers also lost their lives.] I covered the civil war in Lebanon in a wider context, too – those things all happened before I went to Sahel to cover the famine.


Lebanon. Beirut. 1983. American soldiers sift through rubble in the aftermath of a devastating truck bomb in Beirut.

How did those early assignments compare to the expectations you had? Was photography as a job something of a shock?
I remember one of the first assignments I had with Sigma was the IRA bombings in Hyde and Regent's Parks in 1982, down near Horse Guards. Sigma rang from Paris and asked me to go and cover it. I got there to see police tape, miles from what had happened. I couldn't really see anything, so I went back home. They rang me later furiously asking what I had got. I told them that it didn't look very interesting. I learned then that, in a news situation, anything visual is valuable – even if it's only a photo of the police tape with something blurry in the background a mile away.

The materiality of any war or news story overrode the aesthetic potential for a while, and that was quite a shock to me. I was expecting to make powerful, striking photographs and often I was actually just expected to photograph anything I could.

On the subject of striking photos, I was wondering about your photo of the man in front of the tanks in Tiananmen Square. First off, do you ever feel that one image overshadowed the rest of the work you did during the student protests there?
Well, it didn't actually happen that way. When I got back from China, I went into Michael Rand's office at the Sunday Times Magazine. He was laying out one of my photos on the cover of the magazine, but it was another of the photos from my trip  – a topless guy with his arms raised. That became equally well known for a while. The "Tank Man" picture grew in importance over time, but it didn't actually stand out far from the body of work immediately after the event.

But yes, in more recent years people talk about that photo a lot. Does it annoy me? Well, you can't really be annoyed about it. I am just glad I was there. All I know is that I did my job and I think I did it well.


CHINA. Beijing. Tiananmen Square. 1989.

What happened immediately after that moment, to you and the protesters? I can't imagine it was easy getting these photos out of the country.
It was all very uncertain. The police and security people were going from room to room in my hotel, searching for journalists and confiscating films. That atmosphere was very worrying. I remember packing my film into a box of tea that was supplied in the hotel room and asking someone who was going back to Paris to take it for me. I was left in China without my film. I wasn't worried about it once the film was out, and I didn't mind if I lost a couple of cameras. It wasn't easy – we were shot at, at times – but I was lucky.


Brussels. Heysel Stadium disaster. Liverpool fans en route to the stadium. May 29th, 1985.

I guess the way photos are used in news has changed since then. What other stories in that era were important for you?  
The Heysel Stadium disaster was, at the time, a huge story. It was bigger news in Europe that Tiananmen Square was. Paris Match dedicated 22 pages to it. In the age of photojournalism, before TV or the Internet took it elsewhere, photography was responsible for in-depth coverage of the world around us. Now, if you look at all the papers, they more or less tell the same stories and use the same pictures. That wasn't the case in the 1980s. Every magazine you picked up had a different story.

At the time, I was covering football hooliganism, which was a growing story in the UK. We weren't really sure how to cover it so we thought we'd travel down to Brussels with the Liverpool fans, and it happened to be the European Cup Final. We weren't expecting anything to happen, it was just a way of getting into the life of football fans, seeing how they related to each other and the world around them. It was meant to be a quiet story. I went into the stand with them and of course it turned into something different. What that exemplifies is a form of in-depth photo-reporting that is very rare to see these days. That was the norm back then.


BELGIUM. Brussels. European Cup Final. Heysel Stadium disaster. May 29th, 1985.

Moving onto your more recent work, how do you feel about cities? We spoke to Jonas Bendiksen recently, and he has a very definite view. He thinks slums have to be seen as functioning and important parts of our cities, not black spots to be glossed over. Do you have an overpowering feeling about the state of our cities?
Well, on the subject of slums, as I said at the beginning, my first photographic engagement with cities was working in some of the poorer parts of Manchester, the Moss Side estates, Liverpool, Glasgow, Newcastle and then Mexico City. I think when I got to Mexico City and saw the slums, or barrios, of that city, I thought of American anthropological theorists like Oscar Lewis who had said that the poor are in the slums because they deserve to be there and that nothing will ever change. Of course that was complete rubbish. Anybody who moves anywhere, whether to a mansion or a cardboard box, is aspirational.

I have returned year on year to one particular barrio in Mexico City. Over time, window boxes appeared, gardens were created, roads were better maintained. I think slums are often the beginning of a move from urban wasteland to normal and regulated parts of a city. It’s like an informal economy; people start selling in instant markets and over time those people own shops and start paying taxes.


Narcissus, 2009-2013

A bit of a jump here, but how did Narcissus fit in with your previous work? It’s remarkably removed from a lot of your other work.
I suppose there were several things that influenced Narcissus. I had become frustrated by the notion of "global photography", the idea of a meta project, of showing the "greatest places on Earth", or the "worst hellholes on Earth" – this global stuff. It’s all quite grand. And I have done so much of that stuff already: Dynamic Cities was shot, I think, in 40 cities around the world. I thought that I was perhaps missing something. For me, Narcissus was a bit like going back to playing scales if you were a musician. Just trying to sharpen one's vision and address one's focus.

I had started to reflect on the notion of landscape photography, the nature of photography in general. And actually, landscape is like anything, what was drawing me to it was abstraction, cutting something out of the cloth of what's in front of you. I wondered, if there were no expectations placed upon me – as there are, of course, when you shoot landscapes for National Geographic, for example – then what would actually draw me? It turned out that what drew me to landscapes were things that were resonant of memories I had, the very human social life I had led. The forms I recognised in the landscape were human forms, shapes that were semi-human or zoomorphic. I think Freud, when talking about photography, connected it far more to the function of memory than of vision. It was completely different, yes, and I won’t be doing it again, but I learned a lot from it. I learned to work in a small place and limit my needs. It was Spartan in itself and very coherent.

Click through to see more photography by Stuart Franklin.


Great Britain. Unemployment office. 1986.


JAPAN. Yokahama. Nissan Cars. 1987
.
 


NORTHERN IRELAND. Belfast. Riots. 1985.
 


AFGHANISTAN. Kabul. Women soldiers in militant groups participate in a support rally of the PDPA and parade in front of their President, Major General Najibullah. 1989.


HONDURAS. Civil War. El Capire. Bodies of Nicaraguan Sandinista troops on display for international press. The Sandinistas were allegedly killed during a cross-border incursion directed against the contra camps. 1986.


HONDURAS. Civil War. 1986.


AFRICA. Sudan. Famine refugees. 1985.


Narcissus, 2009-2013

Previously – Jonas Bendiksen Takes Photos in Countries That Don't Exist

More from Magnum:

Peter Van Agtmael Won't Deny the Strange Allure of War

Ian Berry Takes Jaw-Dropping Photos of Massacres and Floods

Thomas Dworzak Has Photos of Sad Marines and Taliban Poseurs


Comics: The Cloud Body

Tim Pool Is Live Streaming for VICE from Istanbul

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Journalist Tim Pool is streaming live from Istanbul today where anti-government protests have been ongoing since last Friday. What began as a campaign against the city's plans to construct a shopping centre in a public park has escalated into a massive display of anger over the ruling party's neo-Islamist social agenda and religiously driven laws. Riot police have moved in with brutal force, using tear gas on tens of thousands of protesters. It is the largest civil uprising in the history of Turkey.

For more on the situation in Istanbul, watch our new documentary, Istanbul Rising



More stuff about the uprising in Turkey:

Istanbul's Taksim Square Has Become a Warzone

I Was Slapped About Then Arrested by Turkish Riot Police

Turkey Is Waging an Invisible War Against Its Dissidents 

Turkey's Weekend of Street War, Jubilation and Bulldozer Joyrides

Forked River Roadside Shrine, South Jersey

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Photos by Gerald Slota

Sometimes hearing them makes me want to bawl. Sometimes it just pisses me off. Why they can’t say five fucking words without dragging God into it. 

Like goddamn fucking God gives a shit about what happened to me, or gives a shit about what happened to any of them, which they will discover for themselves. Jesus, I have to laugh, or bawl. Look at those girls’ faces.

The first thing you see from the road is the goddamn cross.

Three-foot-high, homemade cross painted Day-Glo white.

And on this cross in red letters where the paint kind of drips down like smeared lipstick:

R
E
S
T

KEVIN ORR

December 4, 1991–May 30, 2009

I
N

P
A
E
C
E

(Once you’re a deceased person all kinds of embarrassing shit can be said about you. You can’t defend yourself.)

At the foot of the cross are (laminated) photos, mostly iPhone pictures Chloe took of me, and pictures of Chloe and me, and me and the guys, and my mum and me, etc. There’s pots of flowers – real flowers – that have got to be watered or they will wither and die. And hanging from the cross is one of my sneakers – size 12, Nike.

Mum told them to take whatever they wanted from my room. Whatever they needed for the shrine out on Forked River Road. By this time, she was totally out of it on Xanax or OxyContin or whatever the hell it is the goddamn shithead doctor prescribes for her she’s not supposed to take when she’s drinking, or not supposed to be drinking when she takes it, but for sure Mum does. 

As soon as the news came of “Kevie Orr, dead at Lenape Point,” they got together, at my house. Hugging one another, crying and wailing. Some of them were hysterical, and fainting like Chloe would do, and my mum looking stunned like she’d been hit over the head with a mallet. No matter she’d been pissed as hell at me, and Chloe wasn’t so fucking happy with me, nor any of the relatives in Mum’s family – once it was known that I was dead, they’d want to remember me in a better way.

Jesus, I wish I had not been there for that.

***

“Kevie – we love you.”

“Kev-ie? D’you hear us? Can you – see us?”

“It’s Chloe and Jill and Alexa and –”

Oh shit, they’re bringing more crap for the shrine. Plastic lilies. Plastic roses, tulips. Plastic daffodils. Little stumpy candles, what’re they called? Votive candles.

The little cross by the road is getting crowded so they’ve started putting things on a tree trunk a few feet away. This is the beech tree the SUV scraped, rolling over downhill. The tree trunk tore off the left front fender like you’d tear a wishbone in two, and it is scratched like a crazed tiger clawed it.

Josh is with them on crutches. His face is banged up and part of his head is shaved, but the motherfucker is alive, and there’s Casey, and Fred, bringing Michelob beer, Red Bull, and Cokes to position at the base of the tree. Seeing the guys so serious is kind of a bummer – what you want from your buddies is laughs. Assholes try to say something serious, it’s fucking embarrassing.

There’s my kid brother, Teddy, with them. He looks like he hasn’t slept since the accident, and what’s he got to put by the tree – my old hockey stick? And my Resident Evil and Walking Dead games we’d played together.

Teddy’s 13 but looks younger. It looks like his face has been squeezed in a vise, it’s so skinny and gray skinned. 

Each time they drive out here to Lenape Point, they bring more pictures for the shrine. There’s me with my friends, and with my Mum and Teddy (no Dad). Me with some of the guys on the team, and with Coach, iPhone pictures of Chloe squeezed against me, both of us laughing, Chloe’s eyes look wet with tears, my eyes are shiny red like a demon’s squinting into the flash. Jesus, I wish I could remember when that was – wish I could slip back in time, to that time.

It’s like I am losing it – who I was. Whoever Kevie Orr was.

***

What happened was, some kind of hot-white blinding explosion – then out.

It was like getting tripped playing hockey, that time in ninth grade – “concussed,” they said it was. One minute I was running and OK and the next, I was being dragged on my knees, and my safety helmet was yanked off, and there was dirt in my mouth, and I was – out.

And this time when I woke it was quieter – a smell of something sweet and familiar – lilac?

The tow truck had taken the wreck away in pieces.  The body was gone and buried. All that was finished.  All that was just material stuff.

Just me left – me. And so lonely, my friends were gone… I lifted my hand to see how bad it was, if my arm was broken or twisted, which is how it felt, and I could see – nothing there.

Later, I looked and saw some kind of an arm, a grown guy’s arm, a left arm, I think it had to be Dad’s.

This arm was attached to me, where my own arm was gone.  And it was a muscular arm, and there was Dad’s spider tattoo, with the red eyes, that was a consolation.

I said, “Dad? Hey, Dad, it’s Kev – Kevie... Dad, c’n you help me, please?”

“Dad, I am so fucking scared. And cold, and – I guess kind of blind…”

It wasn’t Dad, but kids from school. They were tramping in the grass taking pictures on their cell phones. The big-toothed girl Barbara Frazier, president of the senior class, was tying ribbons around the beech tree, with knots and bows. In Forked River High School colours – gold and crimson. Weird, Barbara Frazier with tears shining on her face – one of the prissy good girls, she’d never looked like she approved of me. Some of the girls are known to me – Alexa, Kit – varsity cheerleaders – but most of the girls are, like, strangers – their faces known to me but not their names, shit! Girls that weren’t anybody I’d gone out with, or had the slightest interest in, now Kevie Orr is dead, so anybody can make a pilgrimage to the shrine and leave flowers and notes and all kinds of personal crap that’s embarrassing to me but can’t be stopped.

Once you are dead, anybody can claim you.

“Kevin, I love you so, I miss you so. Kevin, I will meet you again in the Life to Come.”

Jesus! Some girl named Amanda, skinny and ferret-faced, looks like ninth grade, not even a face I know.

Girls in school sweatshirts and jeans kneeling to hide their faces in their hands are praying in the churned-up grass and rubble where the Jaws of Life tore open the SUV to pry me out of the wreck too fucking late, the body pinned under the dashboard all broken bones and the cracked skull had bled out.

Blood mixed with oil, gasoline. The stink of gasoline.  

In Walking Dead, you’d blast the “walkers” away with AK-47s and M16s, and still they kept coming, no end to the zombies stalking you to eat you, but none of it hurt. In the game, death doesn’t smell.

The girls are tying balloons to the tree. 

Shining-eyed girls are tying balloons to the tree where photos of Kevin Orr are tacked. This is so weird you’d want to laugh except –

“Go away, Christ’s sake! I don’t want fucking kiddie balloons, what the fuck are you thinking?”

(These are hard-plastic balloons, more like pillows than balloons. They don’t leak air like regular helium balloons. And in ugly bright colors so you can see them from the road, like fucking gonads or something, inner-body organs some asshole might think were Kevie Orr’s insides strung up on a tree.)

Also there’s a starfish (actual or plastic, I don’t know), one of those fluffy-haired angels you see on Christmas trees, a crucifix made of shiny wood, a Black Sabbath CD, a picture of Jesus Christ wearing a crown of thorns and holding his bleeding heart in his hand – shit! You’d think that Kevie Orr was Catholic, which is not true.

A two-foot-high American flag stuck in the ground, my grandpa Joe-Joe who’d been in the Korean War brought that out.

Grandpa Joe-Joe leaning on his prissy old wife’s arm (Grandpa’s “new” wife, after Grandma died) so he could put the flag in the ground between the cross and the tree.

“The poor kid. Threw it all away. Jesus!” 

“Eighteen years old. Fuckin’ life should’ve been all ahead.”

***

If somebody asked them, “Why make this shrine here, why, when Kevin Orr’s body isn’t here but buried in the cemetery in town?” They’d have to think for a few seconds, so you could (almost) see the thoughts rising in their heads like bubbles and then they’d say, “Yes, but Kevie’s spirit is here. For here is where Kevie died.”

***

What is meant by died, I am not sure.

There was the body that bled out.

There was the body pinned beneath the dashboard of the SUV.

There was the body broken, shattered, gutted, wasted.

There was the body like a sack of skin, leaking from a thousand wounds.

There was the body that had been Kevie Orr, trapped in the wreck.

***

We were racing on Forked River Road. The guys in the Dodge Ram fell behind. Pressing the gas pedal to the floor, a crazy sensation like wildfire rushed over me. It was such a terrific feeling. I’m thinking it’s about time – usually I’m kind of pissed, shitty feeling, angry, resentful – the crystal meth we’d been smoking makes your heart pound really hard and that’s a good feeling too – like gusts of wind lifting you, like you’re a kite made of some crappy heavy material like wet canvas, and it lifts you – Jesus!

We’d scored in the field behind the high school. We’d had a few hits and some beers, and the idea was to see who could get out to Lenape Point fastest and onto the beach.

The night sky was riddled with clouds. The moon was behind the clouds very bright. So you could see light through chinks in the clouds like torn cloth. It was a weird, excited feeling that seemed to come down from the sky. From the moon like an eye, weird!

The Jersey Shore at Lenape Point. The beach is pebbly and littered and the tide there leaves all kinds of crap behind. The Jersey Shore you mostly don’t think is the Atlantic Ocean. Seeing the ocean on a map you’re – whoa! – that is fucking large.

I was racing to Lenape Point in the SUV. Mum said, “You can use it if you don’t waste gas.” “OK, Mum,” I told her, “that’s cool.” I’m a good son to her basically, I know this. I’m protective of my mum, like Mum has any clue of any fucking thing. Seems like I’m always trying to argue this. After I died people would criticise Mum for letting me drive the SUV and paying for gas, but the fact is, Mum was afraid to piss me off. Mum was afraid I’d go across town to live with my father, and Teddy would want to come along, too – she’d be left alone, and always she was saying, “I can’t make it alone. I can’t.”

At school as far back as I can remember, and definitely these past two or three years, there’s always people looking at me – Kevie Orr. Younger kids, but also kids in my class at Forked River High, following me with their eyes – me and Josh Feiler and Casey Murchison in our varsity jackets – like they’d give anything to be us.  And the girls. The best-looking goddamn girls. And this, our last goddamn year at Forked River. And our team came in a close second – Lenape County Hockey Championship. And now, graduation in three weeks. And it wasn’t clear what we’d be doing this summer, let alone next year or the rest of our lives, at least not what I’d be doing. Maybe a job at the stone quarry, if my uncle Luke could still get me in. There’d been some kind of fuck-up about me calling the foreman. Maybe more likely me and the guys would enlist in the US Army, where they train you for a job. The war in Afghanistan – where (probably) we’d be sent – is supposed to be ending. That’s what people say. And we’re saying, “There’ll be another war maybe – Iran? There’ll always be a war.” We were high, laughing how the “armed services” is a way of seeing the fucking world. There’s no future in fucking Forked River, New Jersey, for goddamn sure.

When you’re high, there’s a lot to laugh at. It’s like being airlifted in, like, a game – you can aim your weapon down at the enemy, or throw grenades or bombs at the enemy, and they can’t get you.

Should’ve braked more, going into the turn at (I guess) 70 miles an hour, where the road is posted for 40, then goes down to 25 – should’ve remembered that Forked River Road turns sharp here, up onto the narrow ramp of the Lenape Point Bridge (one of those goddamn old single-lane plank-floored bridges of Lenape County you think is going to collapse beneath your vehicle, and this is when you are driving slow and cautious). Beyond the bridge is an entrance to Lenape State Park, and a half mile inside the park, the Jersey Shore at Lenape Point.

You start smelling the ocean at about this point. In summer, it’s a rot smell from dead fish and jellyfish, but on a windy day, it’s OK.

Black Sabbath was pounding hard. I’d be pissed that Josh (in the passenger seat) and Casey and Flynn (in back) were so fucking high they didn’t warn me, or say a goddamn thing to me, coming into the turn. Jesus, we’d been driving out to Lenape Point all our lives, far back as we could remember, young kids in such vehicles as the SUV driven by our fathers or older brothers or older guys, but now we’re seniors at Forked River High, we’re the older guys ourselves, and the weird thing is, this stretch of Forked River Road didn’t seem so familiar. There was a mist rising out of the grasses at the edge of the road, and unless you knew better, you’d never guess there was a river close by – not a big river like the Delaware, more like a creek – and at the edge of the river there’s a big stretch of boulders and rocks and pebbles and driftwood and crap so it looks like a dry bed, where the water is just puddles. By this time the Dodge Ram headlights behind us that had been scary close and blinding in the rearview mirror were falling back. The SUV was pulling away from the pickup Jimmy Eaton was driving, that belonged to his old man. (The Dodge Ram wouldn’t crash. Jimmy would brake it to a stop this side of the bridge. The guys’ cell phones saved Josh and Casey, the guys called 911.)

Even at this time, when the gas pedal was essentially pressed to the floor, I was kind of distracted by some fucking thing on the dashboard. Chloe was always nagging me to keep my hand off the AC or the radio dial or the fan or whatever the fuck it was, lowering a window, raising a window, while I’m driving. She says it makes her nervous I’m going to cross over the yellow line and have a head-on collision, but there’s so many things to coordinate, plus the CD volume, and so approaching the curve when I should’ve been braking the vehicle I failed to brake it, going into the curve there came the sick sliding sensation that’s unmistakable, you know you’ve fucked up big-time, the SUV is moving too fast for the road, veering off the road, 2003 GMC that’s registered in my mother’s name, that’s like $9,000 from being paid off, so at the back of my brain just before the SUV struck the guard rail there came the shame of knowing – it will never be paid off now.

***

The Lenape legend of the Death Song dreamed in the womb.

The Lenape Dream Festival. Ceremony of the Great Riddle.

Lenape Indians of all ages came forward to tell their dreams. The tradition was, women as well as men. Young as well as elders. A Jesuit recorded in 1689 that the Lenapes were pagans, they had no god but the Dream. “The Lenapes follow the Dream in all things blindly. Whatever the Dream bids them, they must do.”

In ninth grade New Jersey state history we learned. So much we forgot, of what we’d learned. Like wind whistling through our empty heads like wind stirring the tall grasses of the cemetery behind the redbrick Forked River Church of Christ. But I remembered the Death Song. Don’t know why, when I forgot so much, I remembered the Lenape Death Song.
How before the Indian baby was born the Death Song came to it in the womb and each song was different from the others. When the baby was born, the Death Song was forgotten. You open your eyes, you suck in your first deep breath of air – the Death Song
is forgotten. 

The young Lenapes would fast, hunt until they were exhausted, the young boys beaten with sticks by the older braves, their own male relatives. Dancing by firelight, torture by fire, starving so their bones showed through their skin, sweating – these are ways of bringing back the Dream. But these are incomplete ways. The Death Song is the song to be sung at death, your special revelation, which is your Death Song. No one will know this Death Song except you.

No one knows this except you. And you – you are obliterated now. You are gone.

***

Fuck, they were lucky, sure I’m glad for them, they didn’t die in the wreck with me. At first it was like – Fuckers! Betrayed me – but that’s a stupid way of thinking. 

In the game, your friends are your only allies. Your only allies are your friends – “survivors.” Sometimes, an ally turns into a walker – a zombie. A friend is zombiefied – that’s to say, “reanimated.”

Josh on his crutches, like he’s back from the dead. Staring at the shrine scared-looking and (maybe) guilty-looking, he was lucky, and Kevie was not. 

None of us was wearing a seat belt so maybe that makes us assholes but maybe – anyway – in such a crash, seat belts might’ve made things worse.

Goddamned airbags sure went off. Crazy exploding airbags, and like acid in my face, in my mouth, but so confused with the crash, you’d think the airbags were the wreck, that they could kill you like a detonation. SUV slammed through the guard rail that was already dented and rusted, overturned, rolled over, and again over, like an exploded vehicle in a game, except you are in this game, crashing down the (15-foot) decline to the dry-bed edge of the Forked River, crashing against trees, shearing bark from trees, dragging bushes and debris with it overturning in the dry bed and tires spinning, steam lifting from the radiator. And the guys lived. Fucking lived! Josh, Casey, Flynn – crawled out of the wreck. Must’ve been broken and bleeding like snakes that’d been stomped by somebody’s boot (you can stomp a snake so you’d swear the thing was broke, all the vertebrae broke, and the insides mashed so it’s like a flattened piece of hose, but a snake can fool you, a copperhead can fool you, even the little brain inside the bonehead you can stomp beneath your foot, but the fucking thing is not dead and it can leap at you and sink its poison fangs into your leg like it knows not to attack your boot but your leg) – and when the ambulance came they were rushed to the ER (30 miles north, Atlantic City) fast enough to save them but not the driver who’d been mangled by the steering wheel, trapped beneath the crumpled dashboard and how many bones shattered in his body, how badly his skull cracked like a melon, and his blood rushing out from a thousand wounds with such eagerness, you could wonder what the purpose of this creation could have been, a sack of flesh filled to bursting with blood, which then bursts.

***

And my mum is bawling, saying it’s nasty and cruel for people to be blaming me, like it wasn’t terrible enough how I died, bled to death trapped inside the upside-down SUV that she was nowhere near paying off and behind on insurance payments also. “Blaming the victim is what it is,” Mum is saying and her sisters, Stace and Claire, my aunts, are trying to comfort her. And I’m, like, “Jesus. Enough of this.”  You can tell they’ve been drinking on their way out here, maybe stopped for lunch at that old inn, what’s it called? – Crescent Inn – and had beers, or wine, or hard liquour – Christ!

These women hugging my mum, who’s demanding to know, “How dare they judge us, what are they thinking?” Her sisters and her friends have been telling her what people in town are saying. People who’ve pretended to be Mum’s friends, sending her flowers and sympathy cards, and asking what they can do to help, and she’d never judged them, the bastards – “How dare they judge my son, how dare they say anybody deserves such a thing to happen to them, and Kevie such a sweet kid and only 18, and took such good care of me after his father abandoned us. Kevie did not drink and he DID NOT DO DRUGS – not hard drugs! Nothing Kevie might’ve done was anything all the kids were not doing including in middle school, in Forked River – that’s a fact. The last thing my son deserved was being left to bleed to death, to die out in the dark because the Atlantic City firemen came too late to rescue him.” 

***

Wet wind off the Atlantic, pelting-down rain. Days of rain.

Parts of the shrine are sodden, ruined. Some of the photos are blown away in the grass. The Christmas-tree angel is gone. The geraniums survive, barely. The plastic vines and flowers have survived. The lone sneaker has survived, fallen onto the ground, soaked and leaden.  Grandpa Joe-Joe’s flag has toppled over in the grass. 

It’s cold for June. Hard to know what year this is.

In a place like this, there’s no year.

But there’s sunshine, suddenly – blinding.

Sound of car doors slamming. Excited voices.

“D’you think Kevie can hear us? Like, his spirit is here?”

When their voices quiet, it’s the wind you hear. In the distance, that dull, pounding sound – the surf.

Walking in the beach sand wears you out quick. I remember that.

Trying to run along the beach, that’s such a crappy “beach” – your feet sink in the sand, a kind of wet marshy smelly sand.  Big trees had fallen over in some hurricane, years ago. Must’ve been ninth grade. We’d been drinking beers, smoking joints at the shore. And the day was hot-windy, the ocean waves were high, tall, and white-frothed like some kind of video-game threat walking on its hind legs you’d have to waste with a submachine gun – quick before they got you.

Red-hot sun slip-sliding down behind the Lenape State Park pine forest.

A shrine like this requires maintenance – that’s the problem.

Five or six weeks after the crash, the shrine is looking kind of run-down. Mum is kneeling in the grass repairing some of the damage and Teddy stands back looking anxious.

“Hey, Ted! Hey, dude! It’s me.”

He’d hated me, I guess. His asshole big brother always teasing, poking him. “Why’d you do that, Kevin? That hurts.”

“Because you’re shit for brains, that’s why.”  

But really, I don’t know why. I guess I never knew why.

Teddy is helping Mum position new, laminated copies of some of the damaged photos. Teddy ties my sneaker back up onto the cross.

Somebody stole Resident Evil and left Walking Dead behind. Somebody smashed the flower pots out of pure meanness and tore up the “sacred heart” of Jesus.

After Mum is kneeling in the grass for a while she can’t get up, too weak to get up. Teddy has to help her. She says in a bitter, hoarse voice what she always says, “My son did not deserve to die! My son was left to bleed to death. They took the other boys away and saved them but not my son. Goddamn them to hell, leaving my son to bleed to death in the wreck like a dog.”

And sometimes Mum says, “Kevie, can you hear me?  Kevie – are you here? I love you, Kevie – I forgive you – Kev-ie, don’t leave me,”and she’s so excited and crying so hard, poor Teddy has to drag her away to the car.

What a relief when they leave – Jesus! Wish I never had to see any of them again.

If I came back from where I am, I’d take better care of my mum. But I wouldn’t live in that house! Never again.

“OK, Mum. I am sorrier than hell, what I did. Things I did, you don’t even know about. OK, Mum? It was my fucking fault. I’m fucking sorry, OK? Let it go.”

***

Maybe it was a mistake that I was born. Maybe my mother didn’t want me, that was Mum’s secret. And my father’s.

For sure, they didn’t want me. They had no knowledge of me.

The Death Song, before you are born. It’s the first thing you hear.  It will be the last thing you hear.

On crystal meth these visions come so fast you can’t deal with them. You can’t process them. Like driving really fast, all the windows in the car lowered so your hair is whipping in your face, you’re oily skinned and sweaty and there’s a burning sensation in your eyes like you’ve been staring into the sun. Your brain is fucked and fried, but it’s OK. It’s good!!! Too much!!! Flying at you like crazed comets like at the end of that movie – 2001

Flying into the gravitational field of Jupiter. Wild like your heart might burst.

***

Days pass, no one comes to the shrine. 

They’re all graduated now, I guess. Class of 2012, Forked River High.

Then, there’s a station wagon. Younger girls, not known to me. Not their names. At school, I’d see them – plain girls, you didn’t look twice at. Girls with cell phones to take pictures of themselves at Kevie Orr’s shrine off the Forked River Road, Lenape Point.

One of them is Janey Bishop. Always I’d felt kind of ashamed, what happened between Janey Bishop and me, and the guys knowing about it, or mostly.

I never knew if Janey knew. How much

the guys knew.

Janey kneels in the grass like she’s praying. Janey feels the thoughts coming off me and looks up like she’s been kicked.

“Kevin? Kevin are you – here?”

And I’m, “Where the fuck do you think I am, here is where my brains splattered in the SUV and drained out into riverbed. Oil, gas, blood, brains, and guts. The medics had to scrape me together and shovel me onto the fucking stretcher, maybe nobody told you that?”

The girls are uneasy, shivering, saying, “Kevin doesn’t seem so nice now. It’s like he has – changed...”

“He has crossed over to some other place. He can see us and hear us, but we can’t see or hear him.”

“I can feel his thoughts! I think his thoughts
are hostile.”

“Why’d Kevin Orr be hostile to us? – we’re here to say how we love him, and how we miss him.”

***

Nobody knows, not even our mother – but Teddy comes here, sometimes.

Bicycling alone on his bicycle to Lenape Point, seven miles.

In actual life it would be awkward as hell, if me and Teddy had to meet together like this. If we had to look at each other, and talk.

Teddy is wearing one of my old Forked River High baseball caps pulled halfway down his forehead. And one of my old Matrix T-shirts, which hangs on him like a sack. He’s not an ugly kid but an ordinary-looking kid riding his bike that’s the kind of bike nobody would look twice at, still less steal. You see these scrawny kids hanging out at the 7-Eleven or in back of the school by the bleachers. The kind of kid who isn’t on any sports team and doesn’t have any friends except losers like himself – glue sniffers. It makes me sad to think that Teddy might turn out like that – like it’s my fault.

Why I treated my kid brother so bad, I don’t know. I guess I wasn’t aware of it at the time.  It was something to do. Once, when he was five or six, and I was maybe ten, I pushed him into fresh tar in somebody’s driveway. Once, I pushed him into a nasty ditch, and when he tried to crawl out, I kicked him back down. Made fun of him in front of my friends. He’d say kind of pathetic like a kicked puppy, “Why do you hate me, Kev?” And I said, “I don’t hate you, fuck’s sake! Just get out of my face.”

Long as I can remember, Teddy was always hanging on to me, following me around. Video games, computer, TV. The kind of games I was into playing, I didn’t want the kid to see, not wanting him to tell Mum, even if he promised he would not. When Dad moved out and was living in Toms River, he’d come to pick me and Teddy up to take us out every Friday, it was an OK time for me but not for Teddy who was always whining, “When are you gonna come back home, Daddy?”

Dad can be kind of quiet when he’s in a mood of not wanting to talk or even to listen to other people talk but he would try to be friendly when he saw us. He would try to be OK with us, and with the changed circumstances. When he has a few beers Dad likes to laugh. He likes people around him laughing not bellyaching or pulling a long face, as Dad says.

Dad would ask us about our mum and get us to laugh at her – stupid female, dumb mutt, bitch, cunt. It was pretty shocking for Teddy to hear these words, but I was cool with it, sipping Dad’s beer and laughing. Me and Dad could connect with sports – sometimes. Other times, like a game where a star player hadn’t seemed to play like he gave a damn, though making like 50 million a year, Dad would be seriously pissed. In construction like Dad is, you get to see houses built by people with money like at the Jersey Shore – you figure what the score is. Other people, like most people in Forked River, never have a clue.

What hurt was how sometimes, if Dad was in one of his moods, it didn’t make any difference what you said to him, or what was going on in your life. He never got to my games – OK, I was cool with that – nobody’s dads mostly got to our games, even Friday-evening games – but if I scored a goal – two goals – and I told him, it was like Dad didn’t register. When Forked River almost won the county hockey championship this year, Dad just shrugged, saying, “A miss is a mile” – some bullshit like that, that if you examined it, you couldn’t figure what the fuck it meant.

Mum said, “Your father can’t help his nature, Kevie. One day he’ll wake up and realise.”

And I chilled her out, saying, “One day we’ll all wake up dead. No big deal.”

For a while – I was 15, 16 – I was jealous of my brother, hard as it is to comprehend. Skinny Teddy, snot-nosed Teddy whining and whimpering, and because I didn’t cry, no fucking way I was going to cry, or beg Dad to come back and live with us, Dad got it into his head that I didn’t care about him so much – not like Teddy did. So, the quieter I got, the more Dad thought this. Some of the times, Dad got shit-faced drunk and spent half the time with us on his cell phone talking to (who? some female?) or he’d be sneering at me and Teddy, he’d make us sit on one side of the table, in the booth, and him on the other side so we could see him looking bored as shit.  And I thought, I hate you, why don’t you die? But he never did.

It was a few weeks ago, Teddy was sniffling and hanging out in my room like he wanted to ask me something. I could smell the misery coming off him like BO. I was high from smoking dope with the guys but I was coming down now, and I told Teddy he should take caution, the side of his face was going to get slammed in the door. The kid just blinked at me like it was some kind of joke and didn’t move fast enough, and that’s exactly what happened – his face got more or less slammed inside the door when I pushed it shut – Teddy screamed like he was being killed, and I opened the door and, Christ, don’t know why, I pushed it shut again, harder – Teddy was screaming, blood running down his face, and Mom was downstairs and called up to us. I grabbed him and said, “You little cunt, come off it, that doesn’t hurt, you cocksucker little cunt, I’ll break your face into more pieces, you don’t shut up.” Why I was so angry, I don’t know. I pushed them both out of my room – Teddy and Mum. I slammed the door and screamed at them I’d kill them if they didn’t get out of my face.  

It’s like a hot flame running through my veins. My hair on fire. Girls were scared of me, these moods that were like my dad’s, except I didn’t need to be drunk or high. Chloe said it kind of turned her on, but she was scared, too. “Jesus, Kevie, you should see yourself!”

I never did, though. I guess not.

***

The Indian dream chant, you smoke jimson weed and dance. You dance until your heart bursts. You wear special charms to stimulate special dreams. The smell in the night. Heat lightning that pierces your eyelids if you’re asleep. The song you sing when you are in battle facing death. Your secret song, your Death Song.

At the time of the crash in the SUV it was Black Sabbath playing. When the SUV went into the skid, hit the guard rail and overturned, and the guys screaming, and I was screaming, like Teddy screaming for help like God reached down and snatched up the SUV and rolled it over, and over, and over down the hill to crash onto the rocks upside down. Asshole kids, see how you like this. My justice and my mercy, see how you like this.

***

How many weeks after the crash, I don’t know.

Each morning is a new morning. Each morning is singular but has no meaning. In grade school I asked the teacher if you added up 100 zeros, why would you get zero, if you added up 200 zeros and got zero? Or two zeros? A thousand times zero – shouldn’t that be 1,000? If zero plus zero is zero, why wouldn’t 1,000 times more than that be – more?

The teacher laughed at me. Like I was trying to be funny.

Shit, I hated arithmetic. Then math. Something in my head feels like it’s going to burst, when numerals are involved.

The fact is, the fact I don’t want to face: I want Dad to come here, but Dad will not come here, ever. In Dad’s eyes, I am his shithead son, he’s washed his hands of me, he’d said. Before the accident this was. He’d tried to get me a summer job at the quarry through his brother Luke, and it was a misunderstanding, I hadn’t understood that I was supposed to drive out and meet the foreman. I guess I fucked up, and Dad said he’d had it with me. “Fuck you, Kevin,” he said, and I thought, Fuck you, too, you goddamn bastard. Pushing Mum around like you did, and making her cry. It’s easy to make a female cry but then you have to hear them and you want to strangle them. Like I give a shit, if I work at the quarry. Even if the pay is pretty good for Lenape County. Like I give a shit for anything you could do for me. I’d wanted to tell him, but I didn’t tell him. He’d cracked my face with the back of his hand once, I’d been five or six years old. You don’t make that mistake twice.

Anyway – I wanted Dad to like me better. Maybe love me, I don’t know. It’s what you can’t have, you want. Want so bad you can taste it. My mum and my grandma – they love me, but I don’t care so much about them. Your mum always loves you, big deal! It’s like reaching in your pocket and there’s a tissue you can blow your nose in – you do it, and you don’t think about it. And you don’t think, Hey, I’m lucky for this tissue, else I’d have to blow my nose in my goddamn fingers.

The thing is, my dad is ashamed of me. He knows about the shrine, he’s seen photos in the papers and on TV. Forked River Maintains Roadside Shrine for Teen Driver Killed in Crash. Forked River High Teens Maintain Shrine for Fellow Student Class of  ’12.

Dad looks away, Dad doesn’t want to see. Dad didn’t come to the funeral and (he says) doesn’t know where his son’s body is buried. Dad would never drive out to the shrine for Dad would be disgusted by such a display. Spilling your guts (Dad says) is what assholes do. Dad is disgusted by what he calls making too much of things, like most people do. “The Star-Spangled Banner” played at a ball game in Trenton he’d taken me and Teddy to, he’d gotten disgusted, saying, “Making too much of bullshit.” Any kind of female emotions makes him angry. Any kind of children’s bawling or fears. And so, Dad would never risk visiting the shrine, as he would be fearful what might happen to him there. If he believed that his son was here, in some way. He would not risk that.

When I was alive, Dad didn’t want to talk to me. Now I am dead, Dad doesn’t want to talk to me. He sees his own death coming in me.  I think that’s it. He would never admit that, though. He gets drunk and says, “That stupid kid. Didn’t wear a seat belt either, he’s seriously fucked now.” Sometimes Dad laughs, his mouth twitches like he’s in pain. But he would never admit pain.

There’s a wrongness in it, Dad perceives. A son should not die before a father. Why Dad gets drunk seven nights a week. The wrongness of a son going first. This is a violation of nature.

“He was going to enlist in the army, that’d shaken him up some, that’d mature him, unless it killed him. But he killed himself first.”

***

He never came to see me. But his arm is attached to my body, the left side of my body where my own arm was.

My dad’s arm that is tattooed the way I remember it. My dad’s arm that is more muscular than my own arm was, and so it is stronger than my right arm.

Dad never came to see me, or to the funeral, but Dad left me his arm. 

***

This morning it’s one of my teachers at the shrine.

Mr. Groppel, social studies. He’s a photographer too.

Mr. Groppel takes pictures of the shrine with a heavy camera. He examines the homemade cross. The weatherworn photos, the girls’ compact mirrors in the shape of a heart, satin red hearts faded from the rain and sun, bleached almost white. The flag Grandpa Joe-Joe had brought out has been righted again and looks OK. And there are more sappy pictures of Jesus Christ, and letters girls have been writing to Kevie Orr, tied with ribbons and fastened to the tree. Lipstick kisses on some of these you can see from ten feet away.

Mr. Groppel takes pictures till the light fades. Mr. Groppel has a tripod he positions in the rocky soil, that steadies his fancy camera. Mr. Groppel even smokes a joint – this is a surprise! But Mr. Groppel hasn’t brought anything to add to the shrine like most people do. And Mr. Groppel never talks to Kevin Orr, not once.

***

“Kevie? Are you here? Hey, Kevie.”

“Hey, we miss you, Kevie.  We miss you and love you a lot.”

These are girls stumbling in the grasses, giggly and stoned. Their boyfriends are up on the road. Faces I know, but not names.

“Kev-ie! You are the only person I can talk to…”

This girl bursts into tears. The other girls surround her, cooing.

***

(Maybe that girl. Or maybe another. Left what the media would describe as a “love-letter suicide note” to [deceased] Kevin Orr tacked to the cross at the shrine, went home and swallowed 30 Tylenols but didn’t succeed in killing herself, age 16.)

(And there were parents concerned about “suicide pacts” at Forked River High. Girls whose texting had to do with “wanting to join” Kevin Orr, who they’d scarcely known. School authorities warned against students “making pilgrimages to the shrine” and alerting parents to be aware of what their children were doing, where they were going. What they were texting. And what they were planning.)

***

There’s them, and there’s me.

The one category is living and wants to throw it all away like you’d switch off some boring TV program thinking in some half-assed way you can switch it back on when you want to. Except you can’t.

The other category is not living. And stuck in this place wishing like hell you could come back. Except you can’t.

***

Never did much thinking when I was alive. Mostly my brain was buzzing, and when it wasn’t, a kind of hot wind blew through it like one of those air vents that goes off from a thermostat, off and on, following its own logic. But now, thinking is what I am.

There’s a theory that my life is the sum total of the fuck-ups I’d made. Like adding up zeros.

Why I am here. Why the guys left me behind, crawled out of the wreck and rushed to the ER.

What’s happening at the shrine is that there’s litter accumulating here. Like, people have left pizza boxes, bottles and cans and Styrofoam, debris blown by the wind and caught against tree limbs and bushes. You’d think it was a picnic place, by the side of the road, where trash isn’t hauled away, only just accumulates.

To be fair, some of the visitors do try to clean here. My mum, I guess. And some others.

Storms over the Atlantic, clouds like twisted metal. Clouds blown across the sky like a TV scroll that you never come to the end of.

I’m thinking – Is this it?

Keep hearing the skid, the tires on the blacktop, somebody screaming. (Maybe me?) Black Sabbath turned up high, pounding. That music that gets into your gut. Into your brain.

I was bleeding, in my brain. Wasn’t able to draw breath to cry, “God, help me. God, I didn’t mean this, I never meant anything like this. God, help me.” I wasn’t able to beg, or to sob. I wasn’t able to speak, my mouth was filled with dirt and blood and broken teeth.

***

Kevin would’ve been a soldier. Might’ve died for his country.

Sacrificed himself for his country. Might’ve been a hero like his grandpa Joe-Joe, awarded a Purple Heart.

***

It’s a windy, sunny-cold day. Not so many people come to the shrine now that summer is ending.

Chloe and her friends, and other girls – girls who bring girls who didn’t even know Kevin Orr, except by name. Or until they saw pictures of the shrine in the papers and on TV. And there’s my mum, and there’s Teddy. Not many guys any more. (I don’t blame them: I wouldn’t come out here, either.) I wonder how the guys are – Josh, Casey, Flynn. Where they’ve got to. Where their lives will take them. I wonder how Josh is – if his broken legs ever healed. If his hair has grown back hiding the razor scar up the side of his head. If his brain was damaged like people worried it was. If he thinks of me, and, if he does, what he thinks. Like, were he and Kevin Orr close as brothers, once? And what does that mean, close as brothers? If Josh remembers, it was his idea, to drive out to Lenape Point and wade into the ocean. To race with Jimmy Eaton and his friends. Josh’s idea, and Kevie’s SUV.

That is, Kevie’s mum’s SUV. That never got paid for.

Grandpa Joe-Joe is too sick now to make the drive, though it’s only seven miles. In his head, Grandpa is thinking that his grandson Kevin died in the Afghanistan war, or maybe the Iraq war, which nobody understood why it was being fought, which was how they’d felt about the Korean War too. 

In church they pray for me – it’s something for them to pray for.

But strangers come to the shrine, too. Strangers driving on Forked River Road, and they see the shrine – the homemade cross and the rest of it – and stop on this side of the bridge, and come to look. Sometimes a stranger will bring an item to add to the shrine: tinfoil heart, children’s balloon, stuffed animal. Like it’s something they had in their car, and found a use for. People take pictures of one another with their smartphones, in front of the shrine. In October, somebody will leave a perfectly shaped, symmetrically ridged bright orange pumpkin at the foot of the cross. People feel good, seeing things like this. People feel – Rest in peace, Kevin Orr. God be with you, we love you. Lifting their faces toward the highest branches of the tree and beyond the sky that’s a blank soft grey like something melting.

There’s white, watery bird crap on the shrine some of the visitors take care to wipe away. Hard rains keep it mostly clean. People are happy here, seeing their best selves here. Kids who’ve driven out to vandalise the shrine change their minds seeing the photos, one of which is Kevin Orr’s yearbook picture. It makes them sad seeing he’s a kid like they are – or they’d like to be. The ruin of a sneaker, the hockey stick – they consider stealing these, but don’t.

The Michelob, the Red Bull, the Coke – these have been missing for a long time, but most everything else is left where it was.

I’m proud of that, I guess. That people come here with bad intentions, then change their minds.

***

My crappy kid’s life. It was mostly a loser’s life. I guess, it was adding up to that, like adding a column of zeros, but I didn’t know at the time, you never know at the time. Guys my dad’s age are sour and cynical, they’ve figured out the score, but Kevie Orr never did. A crappy kid’s life, but I miss it.

I’d spend more time with my dad, if I could. Friday nights at his place watching TV, Saturday afternoons and Sunday watching the games, and having pizza with him and Teddy, that’s all I would want. Why’d I want more than that from him, that was a mistake. And I needed to be nicer to my mum. And Teddy – why’d I have to treat the kid like shit, actually I kind of liked him, maybe loved him – he’ll walk kind of crooked all his life, off balance, the orthopedic doctor said the way the boy’s knee was twisted, and he fell with his weight on it, that has damaged the knee permanently. (There was my weight on it, too – I’d been pushing down on Teddy’s back.)

(Not sure when this was. Maybe when I was in seventh grade.)

In any kind of relationship like in a family or with a girl there’s always the one who goes more out of it than the other – like there is always a “hunter” and “prey.” The one who doesn’t give a shit essentially is the one who comes out on top, you could say he’s using the other. I was usually that kid, which was why girls liked me, I guess – each girl thought she’d be the one to make Kevin Orr get serious. I feel that I am “serious” now – I am growing up now.  

I feel that I am growing up now I am “gone.” I know that’s weird as hell but I feel that my spirit is being refined like the shrine is being weather-beaten, but it’s still OK – it’s kind of beautiful (I think). Like in the quarry, the marble is removed from the coarse rock surrounding it. In the church cemetery, my broken bones are returning to dust. My skull, which will have holes for eyes, and a goofy Halloween mouth. Not where I am, which is here.

This is what you learn: Your body is not where you are, after you are gone. Your special place is where you died – “passed over.” Your special song is your Death Song, you heard first in the womb in utter ignorance of what it was, that would follow you through your life.

It’s sad to me to think that my kid brother is a worse loser than I was. He’ll never get over his big brother dying – so fast. Like he never got over our father moving out – so fast. (You could tell that a lot was wrong between our parents, it didn’t take a genius to figure it out, but a young kid is not a genius, poor Teddy hadn’t a clue. His wheezing started then, some kind of sinus or asthma, he’d choke up lying down in bed. Dad thought it was to make him feel guilty, which made Dad really pissed, because yes, sure, Dad does feel guilty, but he hates to be made to think that he should feel guilty.) I want to think that Teddy forgives me. He’s sniffing glue, smokes joints, hangs out with loser kids his own age, he’s set on a track – high school, maybe he’ll graduate and maybe not, and beyond that, I don’t want to think. (Maybe he’ll enlist in the US Army?) You wonder – does a loser kid have his own Death Song? His song? Hard to believe, but maybe, yes.

***

This morning there’s nobody at the shrine. Nobody at the shrine for – how long? 

Days, weeks.

Deer browse here. In the early dusk, they approach the shrine. You wonder if they’re curious, what the hell this is, but the deer show no curiosity, nothing special in their beautiful eyes and the way their white tails flick, a doe and two fawns, and some other, older does, and a young buck with velvety antlers, a fawn from last year. Calmly some of the deer seem to see me. Not all, but some. The large female that seems to be the leader of the little group. They flick their tails to drive away flies. They are not frightened of me because I am so still, I am transparent as vapour, I have no smell any longer, I am not their enemy. Without fear they approach me. Their sensitive noses move along the ground. There is a kind of happiness in this. Just a year ago I’d have wanted to shoot them, the young buck particularly; when my dad was closer with his brother Luke, they’d take me hunting with them in the Pine Barrens, I’d shot at a few deer but never hit anything, but now, I think that now I would not want to kill any one of these deer that are my friends in this lonely place. Now, I feel peace with them. In my life I was never able to sit still for long, I was restless, itchy, and squirmy, when I began driving any vehicle I had to gun the motor, like to see if the motor was alive – needing to know that, if I wanted to, I could move fast.

OK, now I am in one place. And I am happy now, I think.

I love and bless you all.

© 2013 by the Ontario Review Inc.

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The Hall of Honor at the NSA headquarters in Fort Meade, Maryland. (Photo via)

Martin Robbins is a writer and talker who blogs about weird and wonderful things for the Guardian and New Statesman. Here Be Dragons is a new column that explores denial, conflict and mystery at the wild fringes of science and human understanding. Find him on Twitter @mjrobbins, or email tips and feedback to martin@mjrobbins.net.

“You are being watched. The government has a secret system: a machine that spies on you every hour of every day.” No, not the opening line of Glenn Greenwald’s latest warning about the NSA, but the narration at the start of the TV show, Person of Interest. The machine in question is an artificial intelligence that sucks in data at will from every camera, server and sensor in the land, and uses it to predict murders and acts of terror. The processing power and complexity needed to achieve this feat is so immense that the machine – imaginatively named "The Machine" – appears to have become self-aware, evolving into a sort of Skynet-with-daddy-issues, and one of the most fascinating "characters" in recent TV history.

Which is a roundabout way of illustrating the point that the idea of an omniscient organisation – let alone the NSA – processing the totality of human knowledge into anything resembling useful intelligence remains firmly in the realms of science fiction. 

It’s not even clear why you’d want to try, when 99.999 percent of it is going to be of no interest whatsoever. I'm loathe to take aim at such an obvious target, but King of Twitter Justin Bieber has tweeted more than 22,400 tweets to his 40 million cultists. He has never tweeted anything that could be described as "intelligence". Why follow his tweets at all when, in Bieber’s own words, he is "going to tell my truth thru music"? His Twitter account is essentially an information vacuum, and nothing useful can ever come of it, just as the majority of your own tweets will be jokes that aren't good enough to tell out loud and thoughts that aren't worth turning into fully-formed ideas.

The Guardian’s frustratingly-vague reporting over the weekend suggested that the NSA collected 97 billion "somethings" from computer networks in March 2013, with the "somethings" variously described as "reports", "pieces of intelligence" and "metadata". That sounds like a lot of data, until you remember that most of it is going to be shit. That’s why the NSA appear to only collect metadata rather than the contents of messages, and even then only for targeted searches. There’s only so much a bunch of civil servants with a coffee machine and a budget can achieve.


The NSA headquarters in Fort Meade, Maryland. (Photo via)

That isn’t to downplay the importance of PRISM, or the questions rightly being asked about it, but what’s fascinating about the reaction to the Guardian’s revelations, aside from the overwhelming lack of surprise, is that so many of the NSA’s critics are happy to believe it has almost superhuman capabilities. Comments sections are filled with statements like: “Not only the metadata of phone calls, but also the content of everything is being scrutinised and stored in case more scrutiny is needed.”

Which would be quite an achievement, given that even Skype doesn’t actually store Skype calls. On Twitter, dozens of people have been tweeting links to a fake NSA website, unaware that it’s a parody. It’s almost as if people want to believe this stuff.

That may actually be true. I’ve spent way too much of my life debating conspiracy theorists of various kinds – particularly 9/11 Truthers – and what’s always struck me is that the name "conspiracy theorist" is completely wrong. Conspiracy theorists almost never have theories. I talked to dozens and dozens of Truthers over a couple of years, and almost none of them could give me any coherent answer to the question, "So what actually happened, then?"

After a while, I realised it wasn’t really about the stories at all, it was about control. They couldn’t accept that things just happen – somebody has to be in charge. Planes can’t just come out of the sky and hit buildings at random, there has to be some great piece of governmental machinery that allows it to happen. The alternative is too terrifying to consider – that things happen chaotically and you could literally die at any moment. Right now, a bit of metal could just fall out of the sky, strike you at your desk and you’d be dead in an instant. You wouldn’t even know about it. Any fucking moment.

David Aaronovitch’s book, Voodoo Histories, examines the human need for order and meaning, while psychologist Viren Swami’s review of what little science there is on the topic notes that conspiracy theories often spring up among the powerless or voiceless, a defensive mechanism through which it might be possible to gain some semblance of certainty in uncertain times. Islamic terrorism, wars with muddied agendas, financial systems ailing because of the mistakes of faceless entities – the general lack of public understanding of these issues means that they are all, in a sense, pieces of metal that have fallen out of the sky.

Professor Stephan Lewandowsky paints a similar picture in a recent interview with Salon: “Paradoxically, it gives people a sense of control. People hate randomness, they dread the sort of random occurrences that can destroy their lives. So, as a mechanism against that dread, it turns out that it’s much easier to believe in a conspiracy. Then you have someone to blame – it’s not just randomness.”

Lawyers and academics have a theory of their own, something they refer to as "the CSI Effect". In 2010, the Economist declared that, "television dramas that rely on forensic science to solve crimes are affecting the administration of justice". Massively popular shows like CSI and Bones are so far from reality that a lot of the techniques they use may as well be magic. As a result, jurors turn up to trials with a warped sense of what forensics can actually achieve. One trial judge recounts overhearing a juror questioning why the police hadn’t dusted a lawn for fingerprints.

“What I think is at play here is that shows such as CSI, NCIS, 24, etc, give people the impression that information is instantaneous and infallible,” Matt Hartings, an Assistant Professor of Chemistry at American University, told me. “Results pop up much faster in real life, and the analysts are much more certain about results than I, as a scientist, would be. The information on these shows comes fast and furious and infallible.”

The research on how this affects trials has been pretty mixed, but it does seem pretty clear that TV shows affect our impressions of science and technology. As trial judge Donald Shelton puts it, “Many laypeople know – or think they know – more about science and technology from what they have learned through the media than from what they learned in school.”

That probably isn’t limited to CSI – we’ve seen similar in the media-driven MMR hoax, and the explosion of Roswell believers in the years since The X-Files first aired. With so many TV shows and movies showing the intelligence services using miraculous technology – “Enhance!” – juggling satellites like a clown on a tricycle, and monitoring anything, anywhere at will, it’s not surprising that so many comments in the wake of the Guardian’s reporting over the weekend were along the lines of, “So? We knew about this anyway…” 

The upshot of all this is that even if PRISM didn’t exist, a lot of people would assume it did anyway; and that some of us, on some subconscious level, would kind of wish it did. As the debate about state surveillance plays out in the coming months and years, that need is something privacy campaigners should pay consideration to.

Follow Martin on Twitter: @mjrobbins

Previously - The Developing World Needs GM Plants More Than It Needs Hippy Protesters

Neither Big nor Easy: My Elementary Schoolers Are Terrific Music Critics

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The author's students pose with a Michael Jackson impersonator, the rapper Lucky Lou, and their finished book.

Since Katrina hit New Orleans, I’ve been teaching English after school in some truly forsaken public schools. In the past, I’ve helped kids from kindergarten to eighth grade hone their writing schools by composing and recording original rap songs. This year, however, I was placed in a language immersion school with writing-oriented students, so we attempted a more challenging project: a book of their writing and artwork about music from their hometown of New Orleans and elsewhere. Five months in, as we were editing the book and digitising it, all of their handwritten work was stolen from my car by some jerk who just wanted my laptop. Sure that the kids would have no interest in redoing all of that work, I took a few days off school to lay in bed and moan and wonder how I’d break it to them.

But the next Monday the kids were entranced by my true crime story. To my surprise they got right back to work. (Also, I promised them a lot of candy.) During the last two months of school they rallied and in the end published a 46-page, full-colour book. Though the final book consists of first drafts from the last two months (the stolen writing had gone through one or two rewrites), the kids’ intelligence and humour is nonetheless readily apparent, and the book succeeds in providing some insight into how children feel about music, musicians, talent and fame.

For the book’s first section, the students listened to albums by unique local musicians, described the music and told the reader whether or not to buy the records. They were asked to describe instrumentation, the vocals, the production and the mood of the music, among other traits. Along the way they learned the difference between facts and opinions, and how to apply both to a piece of writing. The book features reviews the kids had published earlier in a New Orleans zine, plus few new ones, like this critique of longtime local reggae and dancehall DJ T-Roy:

It sounds like New Orleans is playing funny stuff
 on one album. It has all of the instruments. Like piano and saxophone and Hawaii. The second song sounds the same as the first except more like a rockstar. It sounds like paintings walking around. A guy walks on stage and plays the drum. And it’s funny. It’s fast and loud. It’s soft then it’s loud. It sounds like the movie “The Yellow Submarine.” 
It sounds like people playing music on the street. It sounds like piano and drums. It sounds like rockstars playing New Orleans style. It sounds like everybody is running away from something. It sounds different. Like people dancing. Good music with rockstars taking over the planet with weird hair. Music everywhere. It’s real fast and soft. And good. And long. Aliens taking over the planet with lasers. And there’s electric guitars. –Byron

For the benefit of their parents, the students then compiled facts and opinions about their favorite famous musicians, and then turned those lists into essays. So that these wouldn’t just be gushing fan letters, they were encouraged to also criticise their favourite artists and give them career advice. The section opens with this dope pencil drawing of Nicki Minaj by Starr:

My fifth graders wrote in praise of mostly adult-oriented music, including several pieces on Lil Wayne:

Hi did you know about Lil Wayne? Lil Wayne is from New Orleans. He gets his stage name from his father. Wayne says he doesn’t like his father. Because of that he decided to drop the D from his name. His music sounds like a girl/boy. Lil Wayne is the current CEO of YMCMB. He divorced my god sister, Toya Wright. He has a lot of tattoos. He should not have so many tattoos. He is a former Hot Boy, a group consisting of six people: Lil Wayne, Turk, B.G., Birdman and Ronald “Slim” Williams, Birdman’s brother. Wayne is the son of Birdman, because he says that. He records numerous tracks with Birdman. He doesn’t like NOLA, but he is an avid Lakers fan. He should come back and live in NOLA. –Brian

Lil Wayne is a rap artist. He loves fame, money and girls. When he was 11 years old his mum left him home and he saw a gun and accidentally shot himself close to his heart. Five days later he went to school and everyone was asking, “Can I see your chest because I’m going to be a doctor.” I think he’s cool because he’s a rapper. He is really funny. He’s not an ordinary rapper he’s a crazy artist. He has a child, a little girl named Rejaney. My favourite song from him is “Love Me”. Some people say he is a bad artist. Some people say he just wants to make money. –Wayne

The third-grade ladies focused on more age-appropriate music:

Do you know who is my favourite music artist? Mine is Katy Perry. She was in a movie called “Katy Perry”. She used to have a husband called Russell Brand. I read her book called “Katy Perry’s Life”. I have read all of them. The three things I don’t like about her are that she put whip cream on her chest and the second is that she left Russell Brand. And bad words in her music. She is 20 years old. She wears a blue wig. And wears wacky outfits. –Alyx

My favourite artist is (drumroll please) Justin Beiber! Justin B. is so cute his hair is too. My favourite song by him is “Maria” because in the beginning it sounds like he is on an interview and they are asking about a girl named Maria H. His voice sounds like a girl and I wish it sounded more like a boy. He sings pop mostly. He is from Ontario, Canada. The first song I listened to by him is “Baby". He once dated Selena Gomez. I wish his head was smaller and that he was taller. Thank you for listening. Have a nice day. Hope you enjoyed this. Hope you learned a lot. –Claire

Jacklyn, another third-grade girl, not only surprised me with her choice – the house artist Deadmau5 – she turned her essay into a fictional TV report:

Reporter: We asked local kids what they think about Deadmau5 and they said this!

Kid 1: My favourite song is “Ghosts and Stuff” because it is digital.


Kid 2: I love his mask because it glows, it’s cool.


Kid 3: I love his song “Some Chords”.

Reporter: Then we saw his manager.

Manager: Well, first, he doesn’t write enough songs. Second, he needs more concerts. And third... oh no, time is up!

Reporter: So we will now go see Deadmau5, OK!


Deadmau5: Well, I will tell you most about me. I was born in Ontario Canada.

Reporter: Well, let me stop you, I have a question. I’ve never heard a song of yours before, may you explain them to me?

Deadmau5: Well, they don’t have words so I don’t want to bring your expectations up. They just sound digital, no words unless it’s a remix. I use DJ equipment.

Reporter: My daughter first saw you on the internet.


Deadmau5: Well, about me again, my birthday is January 5.

Reporter: Well Deadmau5, life review is over!

To break up their regular writing sessions, we would take a day here and there to jam on the drum machine and write some raps. Most of these two-couplet rhymes simply but humourously described their authors:

My name is Nya and I like guitar

 It’s so cool that I hang on the monkeybars


I have two dogs that I love

 the one Sachel’s so cute it’s like he’s from above

 –Nya

 

I love chickens dead or alive

When I was in kindergarten I was five


I like to be silly with all of my friends

In my chess class there’s not lots of men

–Renee

 

My mum and dad play music on the streets

My Birthday’s on Halloween I give out treats

Everything’s delicious, but I love meat

But every time I eat, I don’t eat neat

–Dorian

 

My name is Kamri, just like the car

And I shine, just like a star

I’m from the hood and my house is made of wood

Can I just quit? Do you think that I should?

–Kamri

I also put my students to work helping me a bit with NOizeFest, a small festival of nontraditional music that I help host each May in Bywater. This year my students participated in a contest to draw a design for the NOizeFest 2013 T-shirt. Valiant won first place and his family received NOizeFest T-shirts featuring his drawing:

The students’ favourite assignment invited local artists to the school to perform and hold a press conference. While the artists played, the students wrote down five insights and opinions about the performance and also five questions. The students then got to interview the artists. One of their favourites was Ratty Scurvics, who, along with fronting several rock bands, also plays the keyboards with his hands while pounding the bass and snare drums with his feet in his ferocious one-man band, Singularity. The kids were lucky enough to witness this amazing feat, and even got the chance to play Ratty’s strange musical setup themselves after this round of serious questioning:

Q: What is your favourite food?
 
Ratty Scurvics: I am a big fan of sushi. I also like steak tartare. Which is raw red meat with spices in it.

Q: How did you start playing music?
 
RS: My dad’s a musician. He’s a working professional musician. So I grew up in a household where... That’s where my birthday presents came from, from his playing shows. But I taught myself to play, mostly. I always wrote my own songs. The instrument I started on was the drums.

Q: What do you like better, the keyboards or the drums?
 
RS: My favourite instrument is keyboards because you have so much potential. So many notes you can play at the same time.

Q: How do you play two instruments at the same time?
 
RS: Well, as a drummer you have to play four things simultaneously, and try to put it all together. Whenever I started doing the one-man-band thing it felt pretty natural.

Q: Why do you have a [mannequin head] inside your bass drum?
 
RS: Oh, Lucile! Lucile serves a purpose, because with a bass drum, you want to have something in there to dampen the sound a little bit. Some people use a pillow but I thought it would be funny if I put in a mannequin head. Her hair is stuck and I can’t take her out.

Q: Do you know how to play other instruments?

RS: I play several different instruments. 
I do a lot of solo records where I
 go into the studio and I just overlay instrument on top of instrument on the songs that require a full band. So I play cello, flute, drums of course, piano.

Q: All at the same time? 

RS: Not all together. That’s kind of hard 
to do. The first one-man band that I saw was at a state fair and was playing an organ, and he had drums on his back, and somehow he had a fiddle that was shot through his side that he played with his elbow. That was pretty cool.

Q: How did you start doing the one-man band?

RS: I was in a circus band and we were on tour, touring the country and everybody in the band quit. I was the musical director, composing all the music, and I had to figure out how to play all those instruments and be a circus band myself for one show. The pressure was on and I learned how to do it.

Q: Did you ever mess up?
 
RS: Absolutely! Mistakes happen all the time. The trick is to be able to push through the mistakes and catch yourself. That’s where the art is.

Q: What is it like when you play the drums and the piano at the same time?

RS: How about you find out in a minute?


Ratty Scurvics performing for the kids

The book closes with the students imagining themselves in the future as rich, famous and (most importantly) talented musicians. They created stage names for themselves and listed their genre, their instrument of choice, and what they would wear while performing. They discussed their biggest hit song, and gave some sample lyrics. After letting their imaginations run wild verbally, the kids then drew pictures of their famous selves performing on stage, LIVE!

My name is the “Jewish Saint”. I am in the band “Leo the Tiger” with John “Game Master” and Lail “Super Bassist”. I am the singer, guitarist and sometimes drummer. While John is main guitarist and Lail is the bassist and sometimes drummer. Our genre is pop rock. On stage I wear a blue shirt and white pants. –Hudi

Hey my real name is Jose Cairo. Everyone knows me as DJ From the West. I love to rap and that’s why it’s my genre. I use a very, very high amount of auto-tune. My inspiration comes from my very close friend Clarence Henry aka “Frogman”. I love to be shirtless sometimes. Wear a very distinct pair of shorts, very brilliant and bright Jordans, long socks and Miami Heat snapbacks. My biggest song is “I Love My People”. This is the chorus: “I love my people and they love me so I show them hospitality with the money cause I on one (?).” My favourite city to perform in is Miami because of the beautiful beaches and restaurants. One of my fans gave me a good review, 
he says, “It has a lot of people and very electrifying.” I love to give the fans a concert. –Brian

On May 28, each student who participated received a copy of the finished book. They were as excited as their teacher hoped they would be. Their book release party featured miniature cupcakes and a performance by family-friendly rapper and dancer Lucky Lou, who’d earlier in the year performed and held a press conference for the kids. Lou so looks the part of the rapper in his snapback hat and indoor sunglasses that the students had lined up for autographs even before he performed that first time. This time Lou brought his killer dance troupe to the book party, which included the impressive young Michael Jackson impersonator MJ of NOLA. My student Alex, who wrote the book’s essay on Michael Jackson, nearly lost his mind.

Michael Patrick Welch is a New Orleans musician, journalist and author of books including The Donkey Show and New Orleans: the Underground Guide. His work has appeared at McSweeney's, Oxford American, Newsweek, Salon and many other publications. Follow him on Twitter here.


We Spoke to Nick Griffin About His Summer Holiday to Syria

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Who knew Nick Griffin was one for suspense? Having landed in Lebanon three days ago, the BNP leader, MEP and slack-jawed Jim Davidson of British politics began dropping provocative tweets like frilly items of clothing at a Soho strip show. “Puzzle 4 journalists: Why am I in Beirut right now?” he began. British journalists scratched their heads. They were entranced.

Some made stabs in the dark, with one blogger suggesting that Griffin had either decided to re-launch the Crusades. And salaried journalists soon began to follow suit, buying into Griffin's challenge, trying to imagine an uncomfortable, red-faced man in Muslim West Beirut, amusing the locals with photos of his wild garlic plants and insisting that he hadn't seen a single person wearing a burqa. Slowly his photos lapsed into the mundane. He started tweeting about the traffic and posting blurry pictures of juice bars. It was as if he was trying to take a shot at regular tourism and not even managing that very well.

So far, so strange. But things were about to get much, much weirder. Having got a whiff of the simmering sectarian tension in Lebanon, Griffin decided to feast on it. He set out through the Hezbollah-controlled Bekaa valley towards the Syrian border, and next thing we knew, he was proudly declaring his arrival in Damascus (in his mind, he did so from the top of a camel). He was, he stated, on a fact-finding mission to investigate British funding of Syrian “jihadist” rebels. He was there at the formal invitation of the Syrian foreign ministry. Of particular concern to him, apparently, is the presence of British nationals fighting in the civil war against his new BFF, Bashar al-Assad.


A "typical Beirut corner shop fruit bar" that Griffin visited. (Photo via @nickgriffinmep)

I called Griffin yesterday and asked him whether he supported the Syrian government. He replied: “There's certainly wrongs on both sides – the Syrian government officials admit that they were too slow to reform. They also say that the cultural and religious intertwinings and histories and so on make these places not the same as countries in western Europe." I was glad to have learned that the culture and history of the Middle East varies from that of western Europe.

He then launched into a tirade about British foreign policy, said he agreed with Assad that the situation should be left to the Syrian regime to deal with, mocked William Hague and said the West's "track record in Iraq, Syria and Afghanistan is an absolute fucking disaster". That last point, admittedly, was hard to argue with.

I then asked what he thought about the fact that many of his official positions regarding the situation were in line with the Syrian-Iranian-Hezbollah axis in the Middle East. He replied, "Well, if you ask me and them, ‘If you drop an apple, does it fall to the ground?’, we’re both going to say yes. Because it’s gravity, isn’t it? It’s just a fact.” Which seemed an overly complicated way of saying, "Yes, I suppose I do take many of the same lines as the Syrian-Iranian-Hezbollah axis."

So – say hello to perhaps the most confusing triumvirate in the history of mismatched allies: the al-Assad regime, militant Shi'a Islamist group Hezbollah and the BNP.

Without explicitly expressing support for the al-Assad government, Griffin has begun to parrot the lines issued by the Syrian regime over the civil war. He has branded the Free Syrian Army an organisation dominated by jihadists, and told me that attempts to overthrow the Syrian regime were, “largely foreign-inspired”. In a separate telephone interview, a BNP spokesman elaborated, telling me that the party believes the West’s role in Syria is primarily about securing oil and gas reserves.


Nick Griffin's view of Beirut. (Photo via @nickgriffinmep)

The BNP spokesman also suggested that if the war was not ended it would, “spill over onto our [British] streets” and that the British government, led by “that crazed warmonger Hague”, would send Brits over who would “come back with no arms and legs”.

That the BNP has decided the most effective way to snatch some headlines back from the EDL and UKIP is to launch itself into the centuries-old sectarian clusterfuck that is the Middle East speaks volumes. Having become the Syrian government’s newest de-facto bedfellow, the BNP party leader persisted with his Syrian propaganda programme on Twitter, posting: “…life in capital normal. Traffic busy, shops full of goods. Families out in sun”.

Minutes later, a suicide attack on a Damascus police station claimed 14 lives.

When I pointed that out to Griffin, he retorted, “And when was there last a bomb in London? You know, not that long ago. Or Paris… you know, bombs happen.” Which was weird for two reasons: a) why was Griffin now suddenly a suicide bomber apologist? And b) yes, he's right – four bombs did go off in London eight years ago – but I'd say that, recently at least, quite a few more bombs have gone off in Syria.

Besides the bomb, it sounded like Griffin was having a lovely time. He told me that, on the way in, they'd been able to, "hail cabs and go off and look at things", and – perhaps most excitingly – that he'd had a meeting with the Syrian Prime Minister, Wael Nader Al-Halqi. He described the meeting as, "long and fascinating", and told me that the two of them had discussed, "the whys and wherefores of all this – where this war in Syria comes from". But failed to elaborate beyond that point.


New best buds: Nick Griffin MEP and Syrian Prime Minister, Wael Nader Al-Halqi. (Photo via @nickgriffinmep)

To me, the BNP and the al-Assad regime buddying up is kind of like those two weird kids at school, who'd do stuff like openly masturbate at the back of the classroom, joining together to find some kind of strength in numbers. Only they're now just a couple of sweaty-palmed men grimacing at a camera together, instead of alone and exposed.

On one level, the whole mission is a pathetic farce engineered by two highly compromised, toxic brands to boost their profiles. But at the same time, perhaps this couple, spurned and shunned for years, really have found something in each other. After all, imagine leading a besieged, embattled, failing regime apparatus against Western-funded enemies. Then, one day, someone extends his hand to you. He’s not like all the others. He understands you. Yes, he agrees, everyone is ganging up against you. Yes, it is unfair. It’s us against the world, buddy. Imagine the relief! And imagine the catharsis when, following months of egg-pelting, you find a Prime Minister who will actually shake hands with you. This is the stuff true political romance is made of.

I feel some kind of journalistic responsibility to note that not everything the BNP said to me was totally insane. They cited a recent survey that found that more than three-quarters of the British public oppose the British government arming Syrian rebels, and claimed to be representing British public opinion (although the notion of being represented by the BNP is slightly terrifying).

Their claim that oil and gas reserves are part of the reason for Western involvement is undoubtedly sound, and they are right that the media and British government have presented an over-simplified, good-versus-evil picture of the conflict. It is also true, according to recent reports, that Brits are fighting as jihadists in the Syrian civil war. The same phenomenon occurred in Afghanistan, and there's no reason to believe that Syria should be any different.

However, one could also argue that a policy of non-interference might be better promoted from London, rather than while shaking the hand of the Syrian Prime Minister.

Follow Nicolas on Twitter: @NBennettJones

Main collage made with elements of image by Ricardo Stuckert/ABr.

Enjoy reading stuff about Nick Griffin? Try these:

The BNP Utterly Failed to March Through London This Weekend

The BNP Say a Big Fascist Orgy Is the Only Way to Keep Britain White

What Have the BBC Got to Do with Muslim Paedo Gangs?

Nick Griffin Got Kicked Off Twitter

Yaz and Yasmin Birth Control Pills May Have Killed 23 Canadians

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Yasmin birth control pills. via.

I’ve been on birth control for about a decade now, and when I heard that 23 women are suspected to have died from using Yasmin and Yaz pills, I was shocked.

Health Canada documents revealed doctors and pharmacists believe most of the women suffered from blood clots caused by the use of the pills manufactured by Bayer Pharmaceuticals. One of the victims, B.C. resident Miranda Scott, had been using Yasmin for only five weeks before she collapsed and died.

The controversy around Yasmin and Yaz is nothing new, with Bayer having already paid over $1 billion in lawsuit settlements in the U.S. In 2011, Health Canada also issued a warning saying that the risks of developing blood clots were 1.5 to 3 times higher with Yasmin and Yaz than with other birth control pills.

Now, Ontario lawyer Matthew Baer has decided to represent hundreds of Ontario women in a class-action lawsuit again Bayer pharmaceuticals, alleging that Yasmin and Yaz have increased risks of harmful side-effects.

I called up Matthew to talk about the side effects of Yaz and Yazmin, how potentially harmful drugs make it onto the Canadian market, and why they’re still getting prescribed to young women across the country.

VICE: How did you get involved with the case?
Matthew:
After a whole bunch of people called saying that they’ve been injured by Yasmin and Yaz, we looked into it further and saw that there were real issues in the science and we started a case.

What are the main problems caused by Yaz and Yasmin?
The issue with Yasmin and Yaz, is that because they contain a chemical called drospirenone, there’s been increased risks for these side effects. The warning, until recently, didn’t make mention of any of those increased risks. Now, everybody knows that drospirenonecauses these side effects.

How did Bayer not find out about the risks beforehand? Don’t they do tests?
They would’ve known that it would cause problems, but they wouldn’t have known it was at a greater rate than the other ones. Often times you don’t find out until the drug is on the market and is distributed to a broader population. They still deny that it’s at a greater rate.

With all this evidence of problems, why are doctors still prescribing it?
Some doctors have changed their prescribing habits, some haven’t. They have to go by what information is out there and Bayer is continuing to say that there is no increased risk. I think they have a hard time trying to figure out who to believe. There’s a lot of studies saying there’s increased risks, but other than the media putting that information out there, I don’t know how people are going to find out about it.

Is there any possibility that Yasmin and Yaz could be banned by Health Canada?
It’s possible, but I don’t think so. They haven’t shown any indication of wanting to do that. Health Canada just did a safety review and they put out a warning that the risks [of blood clots] are 1.5 to 3 times higher than with other ones.

Who’s benefiting from having Yasmin and Yaz on the market?
There’s a lot of competition out there for the birth control market. The more each of the Bayer company can sell their product, the better for them.

What are you trying to accomplish with the class-action lawsuit?
There’s two main things that we are trying to accomplish.  One, we are trying to get compensation for those who have been injured. Second, just as important if not more, we want to make sure that there’s a proper warning so that women and their doctors know the true risks and can make an informed decision whether they want to use this product or a different one.

For a different look at the problems within the pharmaceutical industry that cause epidemics like this to occur, I called up Dr. Elliot Jacobson from the Montreal Centre for Integrative Medicine. We chatted about the bigger problems within the health community that can lead to such massive complications.

VICE: How can this happen? How can something like this result in 23 deaths and other major problems?
Elliot:
The pharmaceutical companies do testings on small amounts of people. When you’re only testing on 100-200 people, if you’re looking for rare complications, you’re not going to find many. But then, you get 600,000 people and even if 0.01 per cent of those people have side effects, well that’s still 60 people, a significant number.

What’s the process behind drug approval?
New drugs have to go through different trials. In terms of oral contraceptives, newer contraceptives get approved based on studies of older oral contraceptives, even if they don't have the same type of progestin in it. Health Canada bases a lot of its decisions on studies that are generally done through the FDA. There was an interesting article that I read, specifically on Yasmin and those 4th generation contraceptive, that when they got approved, that those people [FDA advisors] had ties to the drug companies. It’s a really murky industry.

Yeah, apparently last year it was discovered that 4 of the 26 FDA drug approval advisors had financial links to Bayer. Is there a way to stop things like this from happening?

There’s no easy way, I don’t think. There have been rules put in place. In the past, drug companies were allowed to do a lot of things they’re not allowed to do now: give gifts and trips to doctors who are in charge of prescribing the drugs. But that kind of stuff has now been made illegal. When you go to a conference now, people have to disclose whether they receive an honorarium from a drug company. A lot of it is trying to teach medical students and doctors how to appraise the studies that they’re reading and how to decide how to make that decision of whether or not they feel that this is unbiased information. It’s pretty insidious and it’s not always clear-cut, but I think that this relationship eventually has to change if you really want to get big pharma out of the medical field. It’s going to take generations and I think it will also take public pressure.

Do you think the government should somehow get involved to protect the public?
The government recognises that a lot of medication has the potential to do harm. You know you’re taking a chance with any drug that has side effects. Same thing goes for birth control, you’re taking a medication for a purpose, and ideally the person that is prescribing that medication to you should be warning you about the possible risks and side effects. The government, rightly or wrongly, has decided to say that they give people warnings that these are the possible risks and that people have to make those decisions for themselves.

Would doctors who know about these side effects still prescribe Yasmin and Yaz?
They tend to downplay the negative side effects. Most doctors hopefully are paying attention to what’s going on. And certainly negative news like this generally will get most people to say “I’m gonna stay away from this for a while, until I can find more about it.”

How do you explain that Yasmin and Yaz are still on the market?
I think it has to do with the process of how a drug gets on the market and how a drug gets pulled. The government has to prove without a doubt that the risks outweigh the possible benefits. If they pull a drug off the market and the drug companies decide that they did it without enough evidence, they can sue the government.

Do you think a possible class-action lawsuit would have an impact?
I think it depends whether or not the lawsuit is fought or if they just settle. I think Health Canada needs to listen to the public, but they also need to look at the facts.

Who benefits from having a potentially harmful drug on the market?
The question is: are there people benefiting from that drug? Are the majority of people benefitting without having any side effects? There are other things on the market that would do the job, but they all have a certain risk. This is one example of a much bigger issue.

What’s the bigger issue?
In my eyes, the bigger issue is the relationship between the pharmaceutical industry and health care. The government spends tons of money in funding drugs. We are spending billions of healthcare dollars to fund pharmaceutical companies that are marketing drugs, marketing a product. There are always new drugs coming out on the market because the old drugs come off patent, become generic, and are no longer profitable. A lot of these drugs are not better and sometimes more dangerous than the drugs that they replace. They’re way more profitable. More profit for the drug companies means higher costs for the government. We are talking about public dollars. Where should the money be going? We are not putting money into prevention and talking to people about diet, exercise and stress. We are putting money into treating people. We don’t spend much money at all promoting health. I think that’s the bigger question.

Follow Stephanie on Twitter: @smvoyer

From Tao Lin's Phone: Taipei Metro

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From Tao Lin's Phone: Taipei Metro

An Interview with the Lawyer Representing bin Laden's Son-in-Law

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Stanley Cohen (right) in Gaza with one of the two disputed Prime Ministers of the Palestinian National Authority, Ismail Haniyeh. (Photo by Peter Spagnuolo via)

The term "polarising figure" has become a lazy way to describe politicians, pundits and media figures for essentially being very loud about mostly superficial things. But there are still a number of people around who fit the definition perfectly. Defence attorney Stanley Cohen is one of those people, capable of simultaneously evoking both absolute hatred and adoration from various parts of society. In fact, he's the only lawyer I've come across before who has a "haters" section on his own website.       

Stanley has accumulated a list of clients including Hamas, Hezbollah, the IRA and al-Shabaab. Most recently, he's added two new clients to his portfolio: Mercedes Haefer, who's accused of taking part in cyber-attacks against PayPal as part of the Anonymous collective, and Suleiman Abu Ghaith, Osama bin Laden’s son-in-law and a man accused of acts of terrorism against the United States.

Stanley has been referred to as “the terror lawyer” by conservative US pundit Sean Hannity, a “savage lawyer” by professional anti-Muslim subway activist Pamela Geller, and beat Noam Chomsky and Norman Finklestein to the coveted title of, “The Worst of the Worst Self-Hating, Israel-Threatening Jews.” At the same time, Stanley has been hailed as something of a champion of free speech and anti-establishmentarianism by internet activists, and for defending the human rights of the disenfranchised.

Stanley was kind enough to let me interview him, and we spoke about his nemesis, his career and getting hassled by the IDF.


Stanley with the American poet Peter Spagnuolo (left) and Yasser Arafat. (Photo by Peter Spagnuolo via)

VICE: Hi Stanley. Thanks for taking the time to do this interview.
Stanley Cohen: Sure. So, it's good to know that Eric Holder [the US Attorney General] finally admitted that the US drone programme killed four Americans.

In Yemen?
Yeah. They already announced those missing four a while ago, so it’s like, "Gee guys, did it take you two fucking years to figure this out?"

Eric Holder has become a bit of a nemesis to you, right?
Yeah – fuck Eric Holder. Eric Holder is no different to every other attorney general in recent history. We haven't had an independent, dynamic, enlightened, historical US attorney general since Ramsey Clark. Basically every attorney general down the line has been swallowed up by the political agenda of whoever the president is, and it’s typically worse with the Democrats than even the Republicans. So yeah – Holder is a good team player, unlike, "I Have a Drone" [Obama], who won’t admit it, but I’m sure goes to sleep at night believing he spoke to the creator during the day. Holder is just a petty hack.

In all your work in Israel or Palestine, have you ever actually had an encounter with the IDF?
Yeah, I’ve had encounters at crossings, I’ve had encounters at the Wailing Wall, I’ve had encounters where I was on an investigation and we were avoiding road blocks because I had to get into Tulkarem [the then-Hamas stronghold in the West Bank] at a time when it was basically locked down, so I got a local cab. It was kind of funny – the Palestinian didn't know who I was, but when I said I needed to get to Tulkarem, he said I couldn't get in. So I said, "Look, if you can get me there and get me out of there, there will be a big, healthy tip for you."


Stanley in Gaza in 2012. (Photo by Peter Spagnuolo via)

That always helps.
He still didn’t know who the fuck I was at this point. So anyway, we did some off-road driving, got to Tulkarem, met at a client’s family’s house, interviewed the mayor, sat down with some witnesses and this guy’s mouth dropped. As the interview went on and on, he was like, “Holy shit, I had no idea who you are – this is serious shit.” And then it started to get dark and we said, "Oh, we've got to get out of here because the IDF do raids in Tulkarem at night all the time."

So we jump into the car and we drove into the mountains and did a quick turn coming down. Then, all of a sudden, we were on a little dirt road and we came across a fucking tank, and the tank turned its turret towards us and locked and loaded. And, for some reason – I don’t know; the guy in the turret had to change his socks or take a dump, or something – he turned the other way and went the other direction. So we made it through the mountains to east Jerusalem, where I always stayed, and the driver told me, “I had a great day and learned a lot. But the next time you need a ride, don’t call me.”

Jesus.
I’ve had a thousand encounters. I’ve had bigger battles with Shin Bet [Israel's internal security service] at Ben Gurion airport. One guy said, “If you were Palestinian, I’d take you out back and shoot you in the head. You’re not, but I still might.” There was a screaming match, Shin Bet escorting me to the airplane, taking my computer and saying they’re going to do nefarious searches of my body. I told them I don’t have jack shit. He said, “Well, you’re not going to leave my country.” I told him, “Well good, I’ll do fucking speeches from the airport for the next five years – is that what you want, asshole?” Now I don’t go to Israel any more; I’m not allowed back in.

You are probably, as you said, the most experienced lawyer involved in terrorism cases. Is the Abu Ghaith [one of al-Qaeda's official spokesmen and husband to one of Osama bin Laden's daughters] case your biggest terrorism case?
Well, it depends on what you mean by "biggest". I think the case that had the largest consequences in the world community – which, in those days, weren’t really called terrorism cases – was probably Abu Marzook, who was the political leader of Hamas from 1995 to 1997. That’s a case and a person who was and remains such a critical player in international politics in general – in the Middle East, in the Gulf, North Africa and now increasingly in central and south African politics. In terms of who’s who, that was certainly the biggest. This is a big case in that it’s the so-called "bin Laden’s son-in-law case", and they get to basically try bin Laden after they murdered him and dress him up like bin Laden in the southern district of New York. It serves a political agenda because it allows the government to say, “See, we can do a trial! We can handle a trial! We’re on top of this stuff!”


Stanley in Gaza with Ahmed Yassin (left) and Ismail Abu Shanab (right), two of the founders of Hamas. (Photo by Peter Spagnuolo via)

The Knesset – the legislative branch of the Israeli government – once held a special session about you. Could you elaborate?
I'd heard from a spook that the Knesset has a political committee that deals with issues like lobbying, PR and money that goes to the American Israel Public Affairs Committee. They had a meeting about one of my lawsuits against Israel and apparently we really pissed off a member of the cabinet. The spook conveyed to me that it got quite funny – all the psychobabble shit about me and, you know, how they were going to deal with it.

You're widely known as a defence lawyer for terrorism suspects, but also as a human rights activist. That's something that many people, especially in the US, would find contradictory. What do you think of that?
As a defence attorney, I don't know how you can separate representing political people – which, in my 30-year career, has been thousands and thousands of cases – and challenging the system both in the courtroom and out. If that makes you an activist, then so be it. Whether it's trying to level the playing field through public media and exposure, challenging government conduct and policy, serving as a spokesman for an unpopular message from unpopular people – it's all one big fucking pig-fry. And whether it's a stop and search case of an African-American walking away from Columbia University, who happens to have a Ph.D, or representing and advising groups that the government claims are at war with the United States, it’s all about activism. You just can’t separate the two.

There was a point where you had to hire bodyguards, right?
Well, I had security for about two months after 9/11. There were some threats – things people perceived as a serious concern. The funny thing about it was that I couldn’t fucking get private security to take the contracts from me, or the clients that wanted to hire them. Al Sharpton and I have had a very contentious relationship over the years, but I remember he reached out to a mutual friend of ours and said, “I know we haven’t always agreed or seen eye to eye, but I really think it’s important that he be protected.” And he was very close with the Guardian Society, which is the Union of Black Police Officers. And they, as it turns out, have a private security investigation firm, so I ended up having off-duty African-American cops providing security for me for two months.


Stanley in the Gaza Strip in 1997. (Photo by Peter Spagnuolo via)

You said you and Sharpton didn’t get along – what was the reason?
I was involved in some very serious political battles. Some people thought it was accusations that he was an informant to the FBI, but it really wasn’t about that. I just thought, at the time, that there was a lot of showboating going on in a movement he was involved in, and I thought it was counter-productive and counter-revolutionary. And it created problems, especially the whole Tawana Brawley disaster, and I spoke publicly about it.

Do you find any parallels between your Anonymous cases and the cases in the Middle East that you’re involved in?
Yeah, I do. I think the common strain is that there are movements and individuals. I hate to use the old metaphor, but it's those who choose to stand up and be counted. Most people are comfortable with being passive observers of history. I have a saying that there is no greater crime than the young becoming cheerleaders in the parade of mediocrity, who at a very young age sell themselves short, sell themselves out and start working on their mortgage.  

So what are the similarities with these cases in particular?
The common strain between Anonymous and a lot of movements – social, political and armed struggle movements in the Middle East, in the Third World and other parts – is the fact that people refuse to be passive participants or observers. People feel obligated to jump into this dirty mud fight and try to direct, focus, monitor and expose locally, internationally, globally; the world that is theirs to come. Now, obviously, the people on the ground in Gaza, the West Bank or the refugee camps have very different issues to people in Anonymous. 

Yeah.
But there are no more globally important and fundamentally powerful issues over the next 30, 40 or 50 years than the war over cyber space. Who owns it, who controls it and what’s to become of it. It's the penultimate issue throughout the world, and we have those who have controlled the shit for a very long time trying to figure out how they can maintain the stranglehold on a Brave New World. And we have those young and not so young who say, “Fuck, this is a Brave New World and, unlike our grandparents and great grandparents who sold this shit to you or sat back while you stole it, we ain’t doing it.”

Cool. Any closing thoughts?
You tell your readers, "Up the rebels!" Life is short: we live, we fight, we die. Oh, and don’t sell yourselves short.

Great. Thanks, Stanley.

Follow Richard on Twitter: @RichardSP86

More interviews with lawyers who take interesting cases:

Meet the Lawyer Who's Trying to Get Charles Manson Out of Jail

Want to Watch DVDs of People Fisting Each Other? 

Saddam H. Christ

A Short Film About Cassettes

Greg Palast's Column: The Drone Ranger: Obama’s Dirty Wars

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Greg Palast is a New York Times bestselling author and fearless investigative journalist whose reports appear on BBC Newsnight and in The Guardian. Palast eats the rich and spits them out. Catch his reports and films at www.GregPalast.com, where you can also securely send him your documents marked, "confidential".

Around the time Barack Obama ordered the drone strike that killed Abdul-Rahman al-Awlaki, the 16-year-old American kid Facebooked his second-rate choice of hip-hop favourites. I say “second-rate” because Abdul was my son’s age, almost exactly, so I know the kind of crap they listen to.

Every Tuesday, President Obama personally checks off the names of people he wants killed. George Bush, a bit more squeamish than Obama, never did that; but Mr Obama felt those decisions were the president’s responsibility: he "want[s] to keep his own finger on the trigger”, according to one report. A tidy, scheduled man, the President only picks his victims once a week, now called “Terror Tuesday”.

On October the 14th, 2011, Abdul went out with his cousins and friends for a good old US-style barbecue, when Obama’s drone fired a rocket, blowing the teenager to pieces. Or I should say “piece”. All that was left of Abdul was a piece of skull with long curly hair that allowed his relatives to identify this hunk of his head by his US-style haircut.

Obama didn’t order the killings (Abdul’s friends and cousins died, too) as a random act of crazy. No-Drama Obama doesn’t believe in random. Abdul’s problem was that his father was Anwar al-Awlaki. Obama killed Abdul’s dad as well. Daddy al-Awlaki, an American imam who voted for George Bush, had gone over to the side of the bad guys. And, after leaving the USA, broadcast pro-terrorism radio reports from Arabia.


Soldiers with the 25th Mechanised Brigade near the front lines in Zinjibar, Yemen. (Photo courtesy of Richard Rowley and Big Noise Films).

We can argue until the cows come home about whether Daddy al-Awlaki was a legitimate kill target. It is, after all, right there in the US Constitution that the penalty for treason is death. I suppose that, before executing him, a jury trial would have been nice. But nice was not going to happen. So, OK, Barack, we’ll let that one go.

But what about the 16-year-old? Obama didn’t even pretend that the kid was a terrorist, or a terrorist in-the-making, nor adopting in any way his father’s crazed kill-Americans crusade.

What could justify execution of Abdul? When asked, then-White House press spokesman, Robert Gibbs, said, “I would suggest that you should have a far more responsible father.”

I guess he should have.

Obama’s minions tried to cover up the hit on the teenagers. Attorney General Eric Holder informed Congress of the killings by writing that US drones had blown up Anwar al-Awlaki, the crazy cleric, and three other Americans who “were not specifically targeted”.

Holder’s comment makes it seem that Awlaki’s son was blown up with him – a sad case of "collateral damage".

But are you ready for this? The teenager – along with his cousin and friends – was killed two weeks after and hundreds of miles away from the site where rockets killed his father.


The trailer for Richard Rowley's documentary, Dirty Wars.

Obama’s Seal Team Sick

I was straightened out on the facts by Richard Rowley, America’s most courageous investigative reporter. Rowley filmed, directed and edited the brilliant, horrific and brilliantly horrific documentary Dirty Wars, previewing this week in the US.

The film centres on Rowley’s reporting partner, the indefatigable Jeremy Scahill, whom Rowley follows from the scene of a massacre at a wedding party in Afghanistan to an interview with a warlord in Mogadishu (while under sniper fire).

You might know Rowley as Ricardo, the pathologically calm cameraman portrayed in my book Vultures’ Picnic. In Iraq, Rowley covered the US Army assault on Fallujah “embedded” with the assaulted, the insurgents. That was insane. Insane but brilliant. (Our producer at the BBC warned Ricardo that he was one lucky cat, but he’d already used up seven of his nine lives.)

In Dirty Wars, Rowley and Scahill reveal that drones are just one toy in our Presidents’ murderous toy-chest. And the kill list is far larger than even a smart dude like Obama can tick off on a Tuesday. Scahill calculates that the targeted kills in Afghanistan and Pakistan now total more than 17,000!

Drones can’t kill them all. In 2009, a US cruise missile hit al Majala, a remote village of Bedouins in Yemen, killing a dozen herdsmen and three babies. Yemen’s President Ali Abdullah Saleh took responsibility, proudly, for killing supposed “terrorists”.

However, a courageous Yemeni reporter, Abdulelah Haider Shaye, visited the site, photographed the remains of the US missile – and was promptly jailed.

The US is particularly shy about taking credit for the cruise missile kills, as it boosted al-Qaeda’s recruitment drive in Yemen.

Rowley and Scahill are the only US reporters to have gone to the Bedouin village and filmed the missile casing; cold evidence confirming the US had entered a war without any legal declaration – indeed, in complete secrecy.

Scahill also revealed that, while Yemen’s President Saleh was nervous about keeping the reporter imprisoned, Saleh withdrew his pardon at the personal request of Barack Obama. Obama wanted the journalist not just silenced, but punished.

WikiLeaks: Cleaning up Dirty Wars?

I was curious: Did Scahill and Rowley make use of WikiLeaks?

“WikiLeaks was absolutely indispensible,” Rowley told me – a treasure trove of State Department confessions confirming what they found on the ground. It was through WikiLeaks that they discovered that President Saleh joked with US operatives about lying to his Congress about the US missile attack on al Majala.


Dirty Wars reporter Jeremy Scahill with Somali warlord "General" Indha Adde, AKA “White Eyes”. (Photo courtesy of Richard Rowley and Big Noise Films.)

And it was in WikiLeaks that Scahill found that the warlord Indha Adde – AKA “White Eyes” – was on the USA’s payroll. I should say, General White Eyes – a rank he gave himself in the Somali Army by pinning three stars on his jacket. Where did the US military find this cutthroat? Previously, the WikiLeaks cables revealed, the US knew he was the protector of the al-Qaeda bombers who blew up the US Embassy in Nairobi.

Rowley captures the warlord/general on camera saying, “The USA is the master in war” – quite a compliment from a natural born killer like White Eyes.

And General “Eyes” is quite right. Obama’s secret war has now spread to 75 nations. It’s all under the command of General William H McRaven.

The US press is in love with McRaven, lauded as the man who planned the raid on Osama bin Laden’s compound. But there’s not one single US network or paper that would report on Scahill’s discovery that McRaven was also the guy who planned the night raid on the Afghan wedding party that killed the bride, the groom and the groom’s mother.

Maybe that was some horrible mistake. But McRaven’s crew, called “The American Taliban” by Afghans, made sure that no one would finger the US: Rowley and Scahill obtained a secretly recorded video of McRaven’s commandos slicing the bullets out of the bride’s and groom’s bodies to prevent their killers’ identification.

McRaven’s semi-private army, the Joint Special Operations Command (JSOC), is warring in our name in 75 nations – nations he won’t name and Obama will arrest you for naming. Not even Orwell could have dreamed up that one.

I asked about the value of WikiLeaks to Rowley and Scahill because of the ongoing trial of Pvt Bradley Manning and the impending capture of Edward Snowden, the contractor willing to blow away his career and freedom to let you know that nice Mr Obama has been spying on you.


Dirty Wars award-winning filmmaker and cameraman, Richard Rowley.

A rabbi from Nazareth once said, “The truth shall set you free.” And that’s exactly what Obama is afraid of: faced with the truths revealed in Dirty Wars, they know most Americans would cut themselves free of McRaven’s Seal Team Sick.

I am convinced the hit on al-Awlaki’s son was meant to teach a lesson; If you want to be a martyr, we’ll make your son and your mum and daughter martyrs, too.

Such terror-for-terror can be, I’ll admit, quite effective. During the Ronald Reagan years, that gutless faux-cowboy President sent weapons to Ayatollah Khomeini in return for the release of hostages taken by Hezbollah. The Russians got their hostages home another way. The USSR didn’t accept an arms-for-hostage deal. Rather, the KGB systematically assassinated the hostage-takers’ cousins, mothers and brothers one by one – until Hezbollah released all the Russian hostages.

By rocketing the children of those we fear, we are indeed teaching them a lesson. But what are they learning?

Next year, Malia Obama turns 16. I hope we never hear that harm has come to Malia while some chuckling spokesman for al-Qaeda says, “She should have had a far more responsible father.”

Greg Palast’s films with Richard “Ricardo” Rowley for BBC Television and Democracy Now! are available on the DVD, “Palast Investigates:  From 8-Mile to the Amazon – On the Trail of Financial Marauders.” This week, you can download it here without charge from the Palast Investigative Fund.

If you're in Canada or the States, click here to locate showings of Dirty Wars near you. And click here for Ricardo’s story in Vultures’ Picnic.

Follow Greg on Twitter: @Greg_Palast

Previously – China and the US Are at Nuclear War in Afghanistan 

Is Kurdistan Going to Escape the Clutches of Iraq?

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With much of Iraq mired in sectarian conflict for nigh-on a decade, its semi-autonomous northern region, Kurdistan, seems a beacon of progress in comparison. As opposed to the brutality and dysfunction of post-invasion Iraq, the region’s oil bounty has seen it boom under the Kurdistan Regional Government (KRG) since 2003. Per capita, GDP for its five million residents has grown tenfold, alongside lucrative trade and foreign investment, and the air in Erbil is thick with the dust of round-the-clock construction.

Despite internal squabbling, Kurdish politicians also wrangled themselves some leverage in Baghdad, with strong constitutional protections, a number of federal MPs and Iraq’s first post-Saddam and non-Arab President, the incumbent Jalal Talabani. As well as all this, the level of everyday stability and security enjoyed by Kurds remains the stuff of fantasy for most Iraqis.

The ubiquity of the Peshmerga guerrillas, now turned Kurdish national army, and the Asaish secret police force is rivalled only by the number of personal civilian firearms (even the local florist has a gun). After a century as the victims of colonialism, geopolitics and genocide, there is a palpable determination that the Kurds will not be screwed over by anyone again, ever.

“Through our whole history, people have tried to control us,” says Asos, a 24-year-old university student and member of the ruling clan of KRG Prime Minister Barzani. “And now we want to be the ones in control.”


Construction in Kurdistan.

The incendiary dispute over who controls who – or, importantly, what – in Iraq has been reignited in recent months in what many are calling the outset of civil war. About a year ago, it appeared that Iraq had achieved an unhappy balance in power-sharing between its three main Shi’a, Sunni and Kurdish communities. With the historic Sunni monopoly diminished since the fall of Saddam, a Shi’a-Kurdish alliance held sway in Baghdad, governing under the evermore centralised grip of Prime Minister Nouri al Maliki and his coterie.

However, the Sunni-majority uprising in Syria has also proved a catalyst for grievances among those in Iraq who see themselves as marginalised by Maliki’s Shi’a-majority rule, prompting them to take to the streets to demonstrate, mostly peacefully. The unabashed government crackdown on those demonstrations, and the ensuing country-wide violence, saw more than 500 Iraqis killed in May alone. A string of Sunni MPs have resigned in protest, alongside the entire Kurdish federal delegation of ministers, accusing Maliki’s government of crimes against humanity.


No smoking, guns or dogs in the Erbil "family mall".

The confrontation between Erbil and Baghdad has centred around the long-disputed territory of Kirkuk, an ethnically-divided city that – surprise, surprise – harbours almost half of Iraq’s oil exports. Amid ongoing bickering over the constitutional terms of Kirkuk oil and debts to its foreign corporate benefactors, Maliki sent troops into the region in December, in turn mobilising the Peshmerga, who remain stationed around the city in what Baghdad alleges is the KRG’s attempt to tighten its grip on resources. The usual sporadic militant attacks on the main Kirkuk-Ceyhan pipeline to Turkey have meanwhile stepped up in recent weeks, halting exports and inspiring righteous finger-pointing from Baghdad, as well as Erbil.

A recent KRG statement on the Kirkuk standoff claimed that, “The mismanagement of oil and gas resources by the federal authority and its lack of respect for the constitution… has cost Iraq not just billions of dollars of potential revenue, but also myriad opportunities for national reconciliation. Iraq really cannot afford to sustain these losses for much longer."

Despite this rhetoric, a continuation of the combative status quo may be the most desirable scenario for a KRG with independence in its sights. As Iraq expert, author and Middle East consultant for the International Institute for Strategic Studies, Toby Dodge, notes, while Maliki’s energies remain consumed by internal calamities, fewer eyes will be on Erbil.  

“Maliki is the biggest existential threat to Kurdistan since Saddam,” says Dodge. “So the KRG will be pretty happy if the rest of Iraq descends back into strife, allowing them to do what they please.”

And do what they please is what they have done. In recent months, Erbil has been working on its budding relations with Turkey, whose second biggest export market is Iraq, and who has also been starting to patch things up with its own long-suffering Kurdish population. The Erbil-Ankara courtship recently resulted in a deal between Turkish state-run oil firms, Exxon Mobil Corp and the KRG to develop projects in Northern Iraq – a move that, needless to say, has riled Baghdad.

While beset with political hazards, the agreement is expected to help lubricate peace between Ankara and the Turkish Kurds, to whom the KRG would eventually look in any event of a future united Kurdish state. And the gains won by Syrian Kurds now staking claim to towns and villages amid the chaos of civil war over the border has raised spirits among their peers in Iraq. The KRG recently confirmed its plans to train Kurdish fighters in Syria in anticipation of a power vacuum there. And while it has expressly limited its ambitions to counter-terrorism security, it is believed that Erbil will encourage Syrian Kurds to follow its own example of self-government as Syria comes apart at the seams.

These alliances have seen the more robust KRG assuming greater strategic significance in a region overcome with instability, but it will need to hedge any bets on independence from Iraq or broader Kurdish autonomy for the near future.    

“Turkey likes to flirt with the KRG, but the relationship has not been consummated,” says Dodge. “It is fun for Ankara to use Erbil to beat Baghdad, and to use the Kurds to weaken Maliki's alignment with Iran, but ultimately this goes against the main geopolitical priority for countries in the region, which is building strong, centralised and independent states.”

Likewise, Dodge suggests that Maliki’s grip on power, as well as US backing for a unified Iraq, means that Kurdistan is likely to stay firmly within Baghdad’s grasp for now.

“The Kurds are a direct threat to Maliki’s plans for Iraq,” he says. “The consolidation of power in Maliki's hands will push the KRG more towards independence, but he cannot let this happen. Barzani – a man with international backing, sitting on a tidal wave of resources – is Maliki's worst nightmare. I don’t think the Kurds are taking politics in Baghdad seriously enough.”

The KRG may be seeding bold geo-strategic ambitions for the region, but on a domestic level, there is less certainty about the path – political, social or cultural – that Kurdistan is headed along. Corruption, nepotism and increasingly authoritarian-style rule have become the modus operandi of governing politics in Kurdistan, where demands for civil and human rights receive only cursory attention at best. Economic freedom, by contrast, is being celebrated thoroughly, and many are concerned about the type of nation that is taking shape under this ruling culture.

“We’ve had two problems with freedom of speech in Kurdistan,” says Astar, a former exiled journalist and activist who has faced imprisonment under both the Ba’athist and KRG governments. “Before, if you said what you thought about politics, Saddam would execute you or throw you in jail. Now, if you say what you think, there is nobody who cares enough to listen.”  

Diaspora Kurds, mostly exiles or refugees, have long been at the forefront of Kurdish politics and culture, and millions have returned over the past decade to contribute to the development of the semi-autonomous region. However, repatriation has often carried with it dismay at the new ideologies coming to define present-day Kurdistan.

“I have no idea of where we are going as a society in Kurdistan,” says Muhammad, a Professor of Philosophy and exile who was invited back to Erbil by Barzani to teach at one of the largest government universities. “Today, people are more concerned with their next iPad than questions of Kurdish politics or identity.

“Now the government tells us that we don't need political struggle because we have oil, and we don't need independent thought, culture and freedom of speech because we have Islam. Our standard of living has improved, but our quality of life, in our minds, is very low.”

Traditional Kurdistan is not hard to find, even among Erbil’s imitation-franchise cafes, shopping malls and superhighways. However, if the shiny new automobiles and endless gated communities, like "Family Village" and "Dream Village" that have been taking over the capital, are any indication of the region’s future, it looks something like a Truman Show-esque nightmare. Despite the rich Kurdish tradition of literature, music and arts, under the current leadership the region may be more set to become the Las Vegas than Paris of the Middle East.

Though many young Kurds remain coddled by materialism and social conservatism, they don't seem to have forgotten the battles waged and atrocities endured by their parents and predecessors. However, what form their inherited nationalism will take in coming generations is hard to tell. Many seem to retain blind faith in the region’s current course of independent growth, reiterating the desire to cast off their Iraqi passports and see the Kurdish struggle consummated in full statehood. Others are more cynical, attuned to the complexities of sectarianism that shape their history and present-day reality as citizens of Iraq. Among them, there is some doubt that Kurdistan can ever shake off its violent past, whether in its present national configuration or with full independence in the future.

“There will always be conflict,” says another Asos, a 20-year-old university student of mixed Kurdish and Arab parents. “If we are fighting Sunnis and Shi’as in Kirkuk, or even other Kurds in Diyarbakir, I don’t think the violence will end. Kurds are fighters, it is in our blood, it is who we are.”

For the meantime, Kurdistan’s past may be closer than it looks. 

Follow Zoe on Twitter: @zaholman

More stuff about the Kurdish people:

Syria's Kurdish Spring

The PKK's Guerrilla Girls Will Fight Until They Die

Watch - Female Fighters of Kurdistan


Italica: The VICE Guide to the Venice Biennale - Part 2

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Every two years since 1895, Venice has hosted the most important contemporary art exhibition in the world. Over a period of six months, the Biennale welcomes over 375,000 visitors and raises millions of Euros in sponsorships. In 2013, 88 nations were represented.

But while everyone was talking about the art at the Biennale, we went to Venice a few months before the official opening to meet artists, curators, and producers, and to understand how such a massive art event is made as well as its impact on the city and its citizens.

A Big Night Out in... Magaluf!

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There is one destination that looms larger than all others in the landscape of British package holidays. Lanzarote, Benidorm, Faliraki, Amsterdam – sure, they all have their own claims to being the lads on tour Holy Land, but one place towers above them all in our collective imagination. The one your parents don't want you to go to, yet bizarrely, your grandparents still go to every year.

After a week in Majorca, I arrived at Palma airport to discover that my flight had been cancelled. I was packed on to a coach with my family, my girlfriend and 300 other holidaymakers who had all struck up a mutual friendship through that typically British pastime of shouting at budget airline scapegoats. Screaming babies, sunburnt Sombrero-wearing students and loads of old people made strange seat-fellows as we navigated our way along the long and dark Balearic A-roads. I'd expected to be dropped off in some sleepy Hotel Ibis equivalent on the outskirts of Palma, but then, suddenly, we rounded a bend and this came roaring out of the humid Iberian night:

We were destined to spend one night in Magaluf: Primavera for people who prefer Swedish House Mafia to The Field and WKD to MDMA. It's not the sort of place I would have come to out of choice. Don't get me wrong, I don't tend to spend my one week off every summer exploring Ottoman ruins or getting springwater enemas in remote Tibetan villages, but my idea of fun isn't competing in projectile vomiting competitions from my hotel balcony, either. Weirdly, I tend to pitch up somewhere between those two extremes.

Still, even though we had to be on yet another coach at 4AM, it was an impossible opportunity to ignore. My girlfriend and I decided to borrow my mum's shit digital camera and attempt to document the first ever (and probably last ever) accidental Big Night Out.

First up was the hotel. Apparently it was a four-star establishment, but in reality it seemed more like a Latin American super-prison, a nightmarish panopticon full of baying lunatics being vodka-boarded and puking out of their anti-suicide windows.

Sleep isn't really a big thing at Magalufian hotels. I imagine the maids clean the rooms at 1AM when they know everyone will be out rather than during the day when they're fitfully dozing off last night's cranial fluid leak. Just walking past one you begin to feel like Jodie Foster in that bit in Silence Of The Lambs when she goes to meet Hannibal Lecter in jail for the first time – judged, abused and fearful that somebody's going to jizz on you.

The quieter part of the town near the hotel was a sleepy place, more akin to somewhere like Rhyl than San Antonio with its pubs surrounded by mini forts of plastic chairs and authentically bleak chippies. It seemed to be a place where permanent ex-pats numb their imaginations with domestic TV and clog their arteries with imported grease, an oubliette for people who started at the centre of the party and now loiter at its outskirts, destined to hopelessly orbit it forever like those hippies who insist on holding their "own Glastonbury" in a nearby field as Professor Green screeches on in the distance.

It seemed like the whole area was made up, not of bars and pubs with jovial atmospheres, but of people's depressing living rooms that had been haphazardly transported into an al fresco environment hundreds of miles away. This part of town seemed to exist purely so that people could watch Amanda Holden get smashed in the face with an egg while sitting outside. Which to be honest, is something you could achieve on a balmy night in Halifax with an extension chord. I didn't get it.

While this seemed to be at odds with the town's reputation for bed swapping, butt chugging and balcony surfing, it was getting impossible to ignore the synth stabs and unintelligible bellows of a thousand leathered teenagers raging in the near distance. It was time to leave this OAP DMZ and head for the strip.

And yeah, it truly is a sight to behold.

Imagine every town centre you've ever been to on a Saturday night, all swept out of the British Isles in some biblical tornado and dumped onto a stretch of Spanish coastline – kebab shops, hen nights, street fights, weather-resistant Geordie Girls, deep V'd sleazebags and all.

Now imagine that you can get two bottles of San Miguel for less than two quid. Then throw in a funfair and incredible weather. You can see why people come here. It's beautiful but mental, heavenly but seedy, and totally out of control.

Almost every man here belonged to one of two groups. Firstly, there were the standard issue Majorca-lads. They had come from mid-sized towns and they hated wearing socks. They smelled like Superdrug and looked like mahogany mannequins from a River Island closure sale.

In their wake came the costumed stags, marauding along the white paved streets dolled up to the nines in their banter costumes; Baywatch lifeguards, Santas in Hawaiian shirts, your standard-issue nickname T-shirt crowd. And these guys, who seemed to have come dressed as the security staff from a 1960s dancehall.

But winning top prize for effort was a deserted legion of shitfaced, chip-munching centurions. The whole town seemed to be swarming with them. All stumbling along, downing cheap grog and eyeing up the local maidens like the real centurions would have done after capturing the island hundreds of years before. 

When you think about it, one of the weirdest things about Magaluf is how banal the music is. People go there to smash their bodies, souls and psyches into a horrible, twisted mess, and yet acts like Rizzle Kicks seem to be very much in demand. I mean, fair enough, I can't see Anaal Nathrakh being invited to play the Mallorca Rocks Hotel any time soon, but Rizzle Kicks? Fucking Blue Peter pop-rap? I guess when your best mate's just bitten your eyebrows off in a Tiki Hut, the tedious sound of your office stereo is pretty comforting.

Of course, it wasn't just stags – there were hens, too. My favourites were these girls, who you could imagine being respectable, responsible women back in the motherland. But that was another life, and for one night only they weren't nurses or primary school teachers, they were "Claire the Cock Crusader" and "Gabby the Knob Gobbler", a crew of dick-crazy Boudiccas ready to take on the centurions in a battle for the streets of Shagaluf.

What you don't quite get the measure of on the countless Freeview "Pissed Brits" docs is just how drunk these people really are. Obviously it's no secret that British people like to get pissed when they're on holiday, but your average Magalufer goes beyond the idea of getting a bit fucked up. They spent their nights hammering grapes, grain and granules, not so much drinking, but unloading drinks into their own digestive systems as if they were dumping toxic waste into the North Sea. I imagine that by the end of the evening their stomachs looked like one of those floating islands of plastic shit you get, and that their piss smelt like Shane MacGowan's mouth.

The worrying part is that the relative lack of bouncers, police or any kind of sober person to enforce logic upon this responsibility vacuum meant that nobody was stopping it spilling over into mob violence.

Thankfully, these unlikely preservers of law and order were there to quell the brewing shit-storm.

In what must have been a council-led initiative to channel all the pent-up testosterone and transported small-town grudges into something less breakable than the noses of innocent bystanders, almost every club had at least one novelty punchbag machine outside. The infrequent sonic boom let out by an amateur MMA fighter from Derby belting one of these only added to the surreal and uneasy atmosphere. It was as if we were in some kind of backstreet car workshop, dull thuds echoing through the night like parts being slammed together in some drunken and ill-advised cut 'n' shut.

If you're going to talk about heavy drinking and casual violence in Brit-friendly Med resorts, you can't not mention Lineker's, a chain of bars not owned by the squeaky clean, marathon running, never-been-booked Gary, but by his brother Wayne. In between popping bottles of Moet in TOWIE and fighting legal battles with tabloid newspapers, Wayne seems to have erected himself as a kind of Club 18-30 Peter Gatien, exporting the lowest common denominator of British nightlife to people who can't bear to leave it behind for a week.

One place trying to rise above the mire was the "ORIGINAL ALEX INDIE" bar. I'm not sure who Alex (Turner? James? Kapranos?) is, but he's a man brave enough to take on the Guetta monopoly (seriously, Guetta is to Euro holiday resorts what Lex Luger is to Atlanta trap houses) with some good ol' fashioned British guitar music.

I mean, I doubt the "indie" remit extends to anything by The Wedding Present, but it was good to see someone trying something different. Even if I'm pretty sure I still heard them playing that "I called my friend Johnny / and he said what the fuck" song like everywhere else was.

The glut of strip clubs suggested that Magaluf understands its reputation as a modern day Sodom and Gomorrah. Instead of merely letting itself exist as a meat market for independent traders to buy and sell at, it actually puts some of the meat on display itself.

The idea of a lapdancing club in Magaluf confused me. I mean, fair enough, if you live in Dundee, then I can't imagine you get to see much human flesh. In a place like Dundee, strip clubs are probably more like museums, offering exotic glimpses of the wider world. But this is Magaluf, where everyone's just a few inches away from a nipple slip. I mean, it's like going to a Pizza Express in Rome, isn't it?

What's odd about the food in Magaluf is that so much of it is clearly designed to provide maximum warmth and stodge on wet Wednesday evenings in the Midlands, and thus is entirely unsuitable for the Majorcan climate. What kind of a person thinks a Yorkshire pudding is just the ticket on a 30-degree evening in southern Europe? I appreciate there's gonna be some degree of drinking on a night out in Magaluf, and some stomach lining will be required. But for fuck's sake, have a paella.

And if that's not enough to sober you up, perhaps getting a permanent reminder of a traumatic night out branded onto your skin will. I always thought it was illegal to let pissed people get tattoos, but whether it's because such laws don't extend to mainland Europe, or just because Magaluf is a bit laissez-faire about that sort of thing, the town is full of them. Nestled in-between bars, kebab houses and shops selling Bob Marley lighters, these emporiums of regret seemed to be doing a roaring trade all night long. 

I bet you're wondering what kind of tattoos people get in places like this, right? 

Well wonder no more.

The other great Maga' hustle is the one played by the "shit only drunk people would buy" peddlers who roam the streets with their boxes of knock-off wayfarers and friendship bracelets. You'll find guys like this in just about every European city these days. Mostly they're ignored by the savvy, middle-class globetrotters who've already found the best places to shop for vintage shades and authentic beads in Prague or Barcelona. In Magaluf, however, they seem to make a killing. Sloshed British tourists are magpies for cheap, colourful crap and the street-sellers know that.

Obviously, the fact that most of these guys are African immigrants who may or may not be at the mercy of some kind of despicable, Costa del Crime Mr Big figure adds a sad, exploitative feel to such happenings. But when they're paying 20 euros for a pair of neon yellow shutter shades that won't last the night, who's really being exploited?

You might be forgiven for thinking that Magaluf is a young person's paradise, a student union in the sun. And in many ways, it is. But all around the main precinct were small clusters of old folk quietly sipping their tepid pints of Tetley's and tutting at the youngsters as they put on their pantomime of chaos and id. These ageing linesmen and women of the party game seemed to wear their years with pride, and the youths seemed to respect them too, keeping their distance. Which, to be honest, must fucking suck for whoever owns that bar.

Surely the kids came to get away from people like this? But here they were, in full force, the judging frowns of the grey pound brigade. Their presence only served to bolster the sense that Magaluf is a British town with debilitating sunstroke.

As the time to catch the coach out of this mess drew closer, it seemed to me that the darkness on the edges of town, where I had seen crews of lads openly racking up lines on the sea defences, had begun to descend upon the carnival in the middle. People were starting to fight. I saw a man too drunk to care about his gushing head wound being held back by paramedics, not because he wanted to fight, but because he wanted to drink more. Even the hardy centurions were beginning to fall.

I wondered if anybody here was actually having a good time. Yes, they were on holiday, and yes, they were very drunk, which are undoubtedly two very great things. But should holidays be about slumping yourself on a steel chair outside a chip shop while your recently acquired boyfriend pukes into a comedy hat?

For every stag gang having the time of their lives, there were another four people who were clearly having a shocker. I saw girls crying on benches, begging for sympathetic restaurant owners to call them taxis, and young men bloodied and bruised not by other young men, but by their own reckless stupidity. It seemed every night in Magaluf ended at crisis point, only to open again in the morning for the same routine. Cyclical chaos under the beating sun.

Soberly trudging back to the hotel, I realised that everyone hates on Magaluf because in essence, it's an awful place. A town which seems to be built on exploiting drunk people in the same way that Sheffield was built on steel, or Detroit was built on cars. Everything here looks and tastes terrible, and even though it's cheap as fuck, you still know you're being very slowly and steadily ripped off.

But that doesn't mean we should abandon it to the realm of ITV2 povsploitation shows. It's a fascinating town which I think functions as the last outpost of the British Empire. It's somewhere where the Union Jack is still flown and tea is still drunk outside. It's Blake's "Jerusalem" remixed by Avicii.

Magaluf started out as a dream of what Britain could never have been under its own oppressive meteorological and political climates. A dream that became a nightmare as soon we realised we could outsource our collective booze problems as drinks prices rose and pub landlords learned how to ID teenagers in the homeland. Magaluf isn't just a cheap resort in Majorca; it's Britain as a franchise – the bulldog spirit sold back to Britain's thirsty, over-heating bulldogs in a luminous fishbowl.

Follow Clive (@thugclive) and Nathalie (@NROlah) on Twitter.

More like this:

A Big Night Out with... Britain's Biggest Lads?

We Went to a Foam Party in Magaluf

A Big Night Out at... the Worst Club Night Ever?

Italica: The VICE Guide to the Venice Biennale - Part 3

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Every two years since 1895, Venice has hosted the most important contemporary art exhibition in the world. Over a period of six months, the Biennale welcomes over 375,000 visitors and raises millions of Euros in sponsorships. In 2013, 88 nations were represented.

But while everyone was talking about the art at the Biennale, we went to Venice a few months before the official opening to meet artists, curators, and producers, and to understand how such a massive art event is made as well as its impact on the city and its citizens.

Big Booties Don't Get into Rap Videos Without These Guys

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Rap music videos have warped my perception of the world. After years of watching clips like "Big Pimpin'" and "Tip Drill," my thoughts have become infested with half-naked girls who tug around gargantuan asses. It's so bad, it's hard for me to even see a normal lady without imagining what she'd look like doused in the golden showers of a Cristal bottle or picturing myself swiping my Chase ATM card through her cavernous butt crack.

Given my rap-addled condition, you can see why I took an interest in Brian Finke's ongoing photo project, Hip-Hop Honeys (featured in the gallery above). In the project, Brian has been documenting the women who populate rap videos, enabling us all to have another perspective on the girls who gyrate what their mamas gave them for rappers. Brian's work is an elegant look at a genre of film that is simultaneously beautiful and grotesque, liberating and misogynistic, and artistic and exploitative. 

As a poor addict of oversexualised hip-hop videos, I reached out to Brian to see if I could just stand in the corner with my hand in my pocket as he photographed his video vixens. The renowned photographer, who's had his work featured in publications like the New Yorker and GQ and has published four stellar photo books, got pretty weirded out by my request. To get me out of his hair, he put me in touch with Face Time Agency, the casting duo who's helped Brian get on the sets of music videos to shoot photos for Hip-Hop Honeys. Face Time Agency was started by Jeff Janvier and Session Cruz two years ago. Since then, it has become one of the only major casting agencies in NYC dedicated to urban models for music videos. And that's pretty awesome for all of the voluptuous ladies and gorgeous women of colour out there who are getting neglected by the other big agencies. 

Session started out shooting high-quality booty-shake videos for World Star Hip-Hop. While Jeff has been a longtime OG in the casting game. Together, they've brought some of the most beautiful models and biggest butts to the small screen in videos for ass connoisseurs like 2 Chainz, Drake, Kanye, and 50 Cent. I hopped on the phone with Jeff to beg him to let me hang out during one of their video shoots – a plea he flatly declined, afraid I might upset the talent. After that, I figured I might as well do an interview for you guys covering what it's like to make a living off of being surrounded by some of the most attractive women of the world, when all of them are desperately trying to impress you. Here is what Jeff had to say. 


Session is on the left and Jeff is on the right. 

VICE: When you’re trying to find girls for music videos, what are the key qualities that make them right to shake their butts on the small screen?
Jeff Janvier:
 The ones that I focus on are the ones that’s make money. It’s all about finding people who have valuable assets. I have a big Rolodex, which is filled with models for every occasion and situation. I concentrate on the features I know I can get a lot of money from.

What makes one model’s assets more valuable than another?
Her sex appeal. Her swag. Her devotion. Those are key elements. Of course they have to be attractive, too. Nobody associated with my company will be even semiattractive. I do have a bunch of girls that I’m nice to and will allow to come to the set and be extras. But as far as the lead and special females, they all have to meet a standard of sex appeal. Sometimes I’m looking for specific things like a particular height or a girl with a big booty. We have a girl for every market.

With the big booties, is there a booty scale? How does one compare and contrast the ass?
No. We only put big-booty girls in the videos that require big-booty girls. But it’s more complex. Like sometimes you need a big butt that knows how to dance, or be really sexy. I know girls who have big butts, but don’t know how to dance. In certain situations, their big butt is useless. It’s the same with just being pretty. Sometimes a nice-looking face isn’t enough for a video that requires the girls to actually do stuff on camera.

How do you keep it all organised? You said you have a Rolodex. Is the Rolodex like “This girl has a big booty, but she’s got two left feet” and “This girl's pretty, but she is shaped like SpongeBob”? 
That’s where my mind works miracles. But as far as the Rolodex, I have, like, thousands of girls and I get, like, 30 emails every day from new talent who I can utilise. I organise it according to the videos we’ve shoot. Some girls get upset at me because I can’t utilise them. It gets to the point where I get harassed or event threatened. This job ain’t as easy, but I make it work. If I meet a new girl and I put her on, other females might see that and get upset. Sometimes they will try to hurt the main girl, you know? There are trials and tribulations I have to deal with, but I’ve been doing it for so long, it doesn’t affect me.

What’s one of the most desperate things a girl has done to try to get into a video?
In this industry, I tell the girls, “You think the video world is bad, Hollywood is even worse.” But some people will do just about anything. I don’t deal with females who are willing to do whatever to get in the game. But these girls understand that there can be, like, 20 girls in the video. So, they’ll do more to get that air time in the video, rather than just be an extra in the background.

Are there any girls who get upset with you once they see the video because they didn’t get the exposure they wanted?
Oh yeah, that’s the drama I deal with. I can’t choose everybody. I try my best as a casting director to get everybody that I meet a chance to get in the video. But sometimes I don’t have that much pull. I’m the casting director so I can pick and choose a lot of girls, but unfortunately it is ultimately up to the artist and director to pick who gets that lead role. Some girls get upset when they’re overlooked or not chosen and they try to bring it all out on me. Other people don’t know how to handle situations like that, but I can.

Do you think a girl can make a living off of being in videos?
The video game isn’t like it used to be. Ten years ago, girls could make a living off of videos. They used to get thousands of dollars just for being a video girl. Nowadays, because of the internet and downloading music, the labels don’t put that much money into videos unless it’s a big artist or a big song. Otherwise they try to do it for little to nothing. But if a girl has swag, they can venture out to movies and other options that garner more money. Videos can give you the outlet to establish a brand and do other things with it.

Are there certain ladies who are hard to find? Like, do rappers say to you, “I want an Eskimo girl with a Lisa Simpson face tattoo and a medium-size donkey butt who can twerk while making ice sculptures”?
It’s my job to be able to provide. If I don’t have them, I’m gonna go looking for them. But yeah, there’s always specifics. Some people want Asians in their videos, some people want Russians – it all depends. And I don’t just do hip-hop, I do rock, pop, or anything else you might imagine. So if they want midgets for the video, I have to provide midgets. I don’t just do females either – my core is females – but I do all types of talent. I’ve worked on Sesame Street! I’ll work on anything that cuts a check.

Tell me about the toughest shoot where you had to find a super obscure and specific kind of model.
I would have to say “Birthday Song” with Kanye and 2 Chainz was the craziest. They wanted exotic big-booty girls, but at the same time we had to have clowns and all types of different people like midgets. I had to go above and beyond for that.

Was it hard to get the right midgets? Was Yeezy really particular on what kind of midgets he wanted?
The director was the one really into the midgets. Kanye was more focussed on the big-booty girls.

Was Kanye like inspecting the booties on set to get the most robust asses in the video?
Nah. Because I’ve been doing this for so long, a lot of the artists trust me and know that I’m always bringing new faces to the table. They know I have a big arsenal of females they’re able to pick and choose from.  

Can you give any advice to young girls out there trying to be video girls? Like, what would you say to a 16-year-old girl who says she wants to be a video girl?
I would tell them to not make it the focal point at that age. She can take it up as a hobby. If you are going to do it, try to take being a video girl to the next level and become a big model or actress, which involves making more money. Being in music videos is for when you’re young and you want to have fun and get your face out there and establish a brand. 

What do you think of the whole “video ho” stereotype? 
That stems from haters. When I say "hater," I mean girls that were not able to be in the videos started that terminology. Now of course there are girls that act out that stereotype because they do some things. But it all originated from girls who weren’t able to be in the videos who started saying “Oh this girl had to do this and that” to be in the video. But you won't say Halle Berry’s a ho, even though Halle Berry is one of those who had to go above and beyond to get where she’s at? It’s a man’s world so there are a lot of things that aren’t as easy for females as they are for men. Its part of the game and it comes down to whether they want to play it or not.

Would you let your daughter be a video girl?
That’s a hard question – only if I knew her standards and morals were straight would I allow her to get into that. A lot of people don’t have the guidance. They come into this game recklessly and do things they’re not supposed to and fall for certain things because in this game a lot of people talk a good one. You have to realise who’s fake in this industry.

Word. Thanks!

Interested in getting loose in a hip-hop video? Hit up Face Time Agency.

Check out more photo work from Brian Finke.

And follow Wilbert on Twitter: @WilbertLCooper

More things from Wilbert:

Assplasty: Dr. Mendieta's Perfect Booties

Never Party with the Brick Squad

Paul Angelo Wants Gays to Clench Their Sphincters

Comics: Dealing with Grief

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